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Courtly love (Occitan: fin'amor; French: amour courtois [amuʁ kuʁtwa]) was a medieval European literary conception of love that emphasized nobility and chivalry. Medieval literature is filled with examples of knights setting out on adventures and performing various deeds or services for ladies because of their "courtly love".
As a literary genre, the chivalric romance is a type of prose and verse narrative that was popular in the noble courts of high medieval and early modern Europe.They were fantastic stories about marvel-filled adventures, often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a quest.
Poetry took numerous forms in medieval Europe, for example, lyric and epic poetry. The troubadours, trouvères, and the minnesänger are known for composing their lyric poetry about courtly love usually accompanied by an instrument. [1] Among the most famous of secular poetry is Carmina Burana, a manuscript collection of 254 poems.
The Middle Ages introduced courtly love, where knights performed extravagant deeds for noblewomen. Poems, jousts, and secret rendezvous were all the rage. Poems, jousts, and secret rendezvous were ...
In Béroul's poem, the love potion eventually wears off, but the two lovers continue their adulterous relationship for some time, until returning to the kingdom of Cornwall. Like the Arthur–Lancelot–Guinevere love triangle in the medieval courtly love motif, Tristan, King Mark, and Iseult all love one another. Tristan honours and respects ...
The focus, however, is on English works: the poems of Chaucer, Gower's Confessio Amantis and Usk's Testament of Love, the works of Chaucer's epigones, and Spenser's Faerie Queene. The book is ornamented with quotations from poems in many languages, including Classical and Medieval Latin, Middle English, and Old French. The piquant English ...
The new poetic (as well as musical: some of the earliest medieval music has lyrics composed in Old French by the earliest composers known by name) tendencies are apparent in the Roman de Fauvel in 1310 and 1314, a satire on abuses in the medieval church filled with medieval motets, lais, rondeaux and other new secular forms of poetry and music ...
Scholarly supporters of Robertson's critical school gathered in March 1967 at the first annual conference of the Center for Medieval and Early Renaissance Studies at State University of New York at Binghamton, an event often referred to among medievalists as "the Courtly Love conference".