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An anticlimax or anti-climax is an abrupt descent (either deliberate or unintended) on the part of a speaker or writer from the dignity of idea at which they appeared to aim, [10] as in: "The English poet Herrick expressed the same sentiment when he suggested that we should gather rosebuds while we may.
A figure of speech or rhetorical figure is a word or phrase that intentionally deviates from straightforward language use or literal meaning to produce a rhetorical or intensified effect (emotionally, aesthetically, intellectually, etc.). [1] [2] In the distinction between literal and figurative language, figures of
Articles relating to figures of speech, words or phrases that entail an intentional deviation from ordinary language use in order to produce a rhetorical effect. [1
Catacosmesis is the Greek word for "to set in order". [1] In rhetoric, it refers to a device in which there is a descending order of words or phrases, either in order of importance, dignity or time, and either abrupt or gradual. [2] [3] It is considered to be synonymous with anticlimax. [4]
Antanaclasis – a figure of speech involving a pun, consisting of the repeated use of the same word, each time with different meanings. Anticlimax – a bathetic collapse from an elevated subject to a mundane or vulgar one. Antimetabole – repetition of two words or short phrases, but in reversed order to establish a contrast.
Anti-climax or anticlimax (that is, the opposite of climax in its various meanings) may refer to: Anticlimax (narrative), a literary element; Anticlimax (figure of speech), a rhetorical device; Anticlimax, a genus of sea snails; Anticlimax: A Feminist Perspective on the Sexual Revolution, a 1990 book by Sheila Jeffreys
A paraprosdokian (/ p ær ə p r ɒ s ˈ d oʊ k i ə n /), or par'hyponoian, is a figure of speech in which the latter part of a sentence, phrase, or larger discourse is surprising or unexpected in a way that causes the reader or listener to reframe or reinterpret the first part.
Quintilian saw rhetoric as the science of the possible deviation from a given norm, or from a pre-existing text taken as a model. Each variation can be seen as a figure (figures of speech or figures of thought). [4] From this perspective, Quintilian famously formulated four fundamental operations according to the analysis of any such variation.