Search results
Results From The WOW.Com Content Network
Dove and Rose jacquard-woven silk and wool double cloth furnishing textile, designed by William Morris in 1879. [1]Double cloth or double weave (also doublecloth, double-cloth, doubleweave) is a kind of woven textile in which two or more sets of warps and one or more sets of weft or filling yarns are interconnected to form a two-layered cloth. [2]
In the terminology of weaving, each warp thread is called a warp end; a pick is a single weft thread that crosses the warp thread (synonymous terms are fill yarn and filling yarn). [ 2 ] [ 3 ] In the 18th century, the Industrial Revolution facilitated the industrialisation of the production of textile fabrics with the "picking stick" [ 4 ] and ...
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Donate; Pages for logged out editors learn more
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
[4] To use a temple, the length is first adjusted so that it matches the total width (or spread) of warp threads in the reed. The prongs are then inserted into the fabric, on each side, at the very edges of the cloth. The temple must be moved frequently to keep it close to the fell of the fabric, where the weaving is taking place. [2]
The double rapier is used more frequently than the single rapier due to its increased pick insertion speed and ability to weave wider widths of fabric. The housing for the rapiers must take up as much space as the width of the machine. To overcome this problem, looms with flexible rapiers have been devised. The flexible rapier can be coiled as ...
The cotton leaves the carding machine in the form of a sliver; a large rope of fibres. [3] In drawing, four slivers are combined into one. Repeated drawing decreases the quality of the sliver drastically, disabling finer counts from being spun. [4] Each sliver will have thin and thick spots.
According to the 12th-century geographer al-Idrīsī, in Andalusī-era Almería, imitations of Iraqī and Persian silks called «عَتَّابِيِّ» —‘attābī— were manufactured, which David Jacoby identifies [4] as "a taffeta fabric made of silk and cotton (natural fibers) originally produced in Attabiya, a district of Baghdad."