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Mahamayuri (Sanskrit: महामायूरी Mahāmāyūrī ("great peacock"), Chinese: 孔雀明王 Kǒngquè Míngwáng, Vietnamese: Khổng Tước Minh Vương, Japanese: 孔雀明王, romanized: Kujaku Myōō, Korean: 공작명왕 Gongjak Myeongwang), or Mahāmāyūrī Vidyārājñī is a bodhisattva and female Wisdom King in Mahayana and Vajrayana Buddhism.
Large scale paintings were commissioned to adorn the castles and palaces of the military rulers. The Kanō school, patronized by the ruling class, was the most influential school of the period and, with 300 years of dominance, endured for the longest period in the history of Japanese painting.
Sō Shiseki (宋 紫石, 1715 – 9 April 1786 [1]) was a Japanese painter of the Nagasaki and Nanpin schools. Originally from Edo, he spent some time in Nagasaki, where he studied under the Chinese painter Song Ziyan, who was known as Sō Shigan in Japanese. The name Sō Shiseki is an art-name, derived from an imitation of his master's name. [2]
The symbolism was adopted by early Christianity, thus many early Christian paintings and mosaics show the peacock. [51] The peacock is still used in the Easter season, especially in the east. The "eyes" in the peacock's tail feathers can symbolise the all-seeing Christian God, [52] the Church, [53] or angelic wisdom. [54]
360° panorama. Harmony in Blue and Gold: The Peacock Room (better known as The Peacock Room [1]) is a work of interior decorative art created by James McNeill Whistler and Thomas Jeckyll, translocated to the Freer Gallery of Art in Washington, D.C. Whistler painted the paneled room in a unified palette of blue-greens with over-glazing and metallic gold leaf.
This work has revolutionized the way Japanese art history is viewed, and Edo period painting has become one of the most popular areas of Japanese art in Japan. In recent years, scholars and art exhibitions have often added Hakuin Ekaku and Suzuki Kiitsu to the six artists listed by Tsuji, calling them the painters of the "Lineage of Eccentrics".