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Distribution of the four tone classes in modern Chinese Each tone class is numbered ① to ⑧, depending on its reflex of Late Middle Chinese, followed by its actual pronunciation, using a tone letter to illustrate its contour and then a numerical equivalent. major group subgroup local variety Early Middle Chinese tone class number of tone classes
In tonal languages, tone names are the names given to the tones these languages use. Pitch contours of the four Mandarin tones In contemporary standard Chinese (Mandarin), the tones are numbered from 1 to 4.
A rime table or rhyme table (simplified Chinese: 韵图; traditional Chinese: 韻圖; pinyin: yùntú; Wade–Giles: yün-t'u) is a Chinese phonological model, tabulating the syllables of the series of rime dictionaries beginning with the Qieyun (601) by their onsets, rhyme groups, tones and other properties.
The documentary sources are supplemented by comparison with modern Chinese varieties, pronunciation of Chinese words borrowed by other languages—particularly Japanese, Korean and Vietnamese—transcription into Chinese characters of foreign names, transcription of Chinese names in alphabetic scripts such as Brahmi, Tibetan and Uyghur, and ...
Many non-native Chinese speakers have difficulties mastering the tones of each character, but correct tonal pronunciation is essential for intelligibility because of the vast number of words in the language that only differ by tone (i.e. are minimal pairs with respect to tone). Statistically, tones are as important as vowels in Standard Chinese.
The tone contours of Mandarin Chinese. In the convention for Chinese, 1 is low and 5 is high. The corresponding tone letters are ˥, ˧˥, ˨˩˦, ˥˩.. A series of iconic tone letters based on a musical staff was devised by Yuen Ren Chao in the 1920s [2] by adding a reference stave to the existing convention of the International Phonetic Alphabet.
Copy of the Tangyun, an 8th-century edition of the Qieyun. A rime dictionary, rhyme dictionary, or rime book (traditional Chinese: 韻書; simplified Chinese: 韵书; pinyin: yùnshū) is a genre of dictionary that records pronunciations for Chinese characters by tone and rhyme, instead of by graphical means like their radicals.
Middle Chinese had a structure much like many modern varieties, with largely monosyllabic words, little or no derivational morphology, four tone-classes (though three phonemic tones), and a syllable structure consisting of initial consonant, glide, main vowel and final consonant, with a large number of initial consonants and a fairly small number of final consonants.