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Faust has inspired artistic and cultural works for over four centuries. The following lists cover various media to include items of historic interest, enduring works of high art, and recent representations in popular culture.
Faust is unsatisfied with his life as a scholar and becomes depressed. After an attempt to take his own life, he calls on the Devil for further knowledge and magic powers with which to indulge all the pleasure and knowledge of the world.
Pages in category "Works based on Goethe's Faust" The following 10 pages are in this category, out of 10 total. This list may not reflect recent changes. F.
Ned Block (ed.), Readings in Philosophy of Psychology, 1981; Mario Bunge and Rubén Ardilla, Philosophy of Psychology, 1987; Paul E. Meehl, "Theoretical Risks and Tabular Asterisks: Sir Karl, Sir Ronald, and the Slow Progress of Soft Psychology", 1992; Steven Pinker, The Blank Slate: The Modern Denial of Human Nature, 2002
The first operatic version of Goethe's Faust, by Louis Spohr, appeared in 1814. The work subsequently inspired operas and oratorios by Schumann, Berlioz, Gounod, Boito, Busoni and Schnittke, as well as symphonic works by Liszt, Wagner and Mahler. Faust became the ur-myth of many figures in the 19th century. Later, a facet of its plot, i.e., of ...
Although Goethe does not introduce the eternal feminine until the last two lines of the play, he prepared for its appearance at the outset. "Equally pertinent in this regard", writes J. M. van der Laan, "are Gretchen and Helen, who alternate with each other from start to finish and ultimately combine with others to constitute the Eternal-Feminine" [1] At the beginning of Part I, Act IV, Faust ...
Title page of one of the Höllenzwang grimoires attributed to D. Faustus Magus Maximus Kundlingensis (18th century). Georg Faustus (sometimes also Georg Sebellicus Faustus (/ ˈ f aʊ s t /; c. 1480 or 1466 – c. 1541), known in English as John Faustus, was a German itinerant alchemist, astrologer, and magician of the German Renaissance.
Goethe finished writing Faust, Part Two in 1831; it was published posthumously the following year. In contrast to Faust, Part One, the focus here is no longer on the soul of Faust, which has been sold to the devil, but rather on social phenomena such as psychology, history and politics, in addition to mystical and philosophical topics. The ...