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Hoàng Lê nhất thống chí (皇 黎 一 統 志, Records of the Unification of Imperial Lê), also known as An Nam nhất thống chí (安 南 一 統 志, Records of the Unification of Annam), written by the Writers of Ngô family (吳 家 文 派, Ngô gia văn phái), is a Vietnamese historical novel written in Classical Chinese which consists of 17 chapter based upon the events in the ...
The Đại Việt sử ký toàn thư (chữ Hán: 大越史記全書; Vietnamese: [ɗâːjˀ vìət ʂɨ᷉ kǐ twâːn tʰɨ]; Complete Annals of Great Việt) is the official national chronicle of the Đại Việt, that was originally compiled by the royal historian Ngô Sĩ Liên under the order of the Emperor Lê Thánh Tông and was finished in 1479 during the Lê period.
[2] According to tradition, the sixth and last ancestral founder, Huineng (惠能; 638–713), was one of the giants of Chán history, and all surviving schools regard him as their ancestor. [3] Shenhui, a successor to Huineng claimed Huineng to be the successor of Hongren's, instead of the then publicly recognized successor Shenxiu. [4]
Trần Hưng Đạo (Vietnamese: [ʈə̂n hɨŋ ɗâːwˀ]; 1228–1300), real name Trần Quốc Tuấn (陳國峻), also known as Grand Prince Hưng Đạo (Hưng Đạo Đại Vương – 興道大王), was a Vietnamese royal prince, statesman and military commander of Đại Việt military forces during the Trần dynasty.
Đông Hồ painting depicts Phù Đổng Thiên Vương Statue of little Thánh Gióng at Phù Đổng Six-Way Intersection, Ho Chi Minh City. Thánh Gióng (chữ Nôm: 聖揀), [1] also known as Phù Đổng Thiên Vương (chữ Hán: 扶董天王, Heavenly Prince of Phù Đổng), Sóc Thiên Vương (chữ Hán: 朔天王), Ông Gióng (翁揀, sir Gióng) [2] [3] and Xung Thiên Thần ...
The top has a cap, white and gray enamel cracks. Revival Lê dynasty, April of Vĩnh Hựu year 2 (1736). The top has a dome-shaped lid, the top is a statue of a nghê playing with jade, around the bagua, a flat edge of the mouth, a bulging body, 3 animal legs embossed with tigers, 2 dragon-shaped straps.
Đám cưới chuột (Rat's wedding), a popular example of Đông Hồ painting. Ðông Hồ painting (Vietnamese: Tranh Đông Hồ or Tranh làng Hồ), full name Đông Hồ folk woodcut painting (Tranh khắc gỗ dân gian Đông Hồ) is a line of Vietnamese folk painting originating in Đông Hồ village (Song Hồ commune, Thuận Thành District, Bắc Ninh Province).
[2] On September 25, 1981, the wards of Lam Sơn and An Dương were reorganized, resulting in the creation of three separate wards: Lam Sơn, An Dương, and Trần Nguyên Hãn. Later, on December 20, 2002, the two communes of Dư Hàng Kênh and Vĩnh Niệm, previously part of the rural An Hải district, were transferred to Lê Chân for ...