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Ailanthus/Altissima is subtitled 'bilateral dimensions of 2 root songs,' and if you follow the music carefully, you can hear how the song basis of Taylor's music is, indeed, at the root, spreading out in this case in (at least) two directions. As ferocious as his music is, you can often find sections to hum along with, little thematic segments ...
19th-century, American, minstrel music, popular music, war songs: 29,000 American popular music spanning the years 1780–1980. Johns Hopkins University: Library and Archives Canada: Sheet Music From Canada's Past: Canadian, popular music: 20,000 Patriotic and parlour songs, piano pieces, sacred music, and novelty numbers published from before ...
Bilateral is the second studio album by Norwegian progressive metal band Leprous. It was recorded in Ivory Shoulder Studios and Juke Joint Studio by Vegard Tveitan and Heidi Solberg Tveitan, and mixed and mastered at Fascination Street Studio by Jens Bogren. Additional editing by Ivar Barstad. Art direction and design by Ritxi Ostáriz.
The Billboard Hot 100 is a chart that ranks the best-performing songs of the United States. Published by Billboard magazine, the data are compiled by Nielsen SoundScan based collectively on each single's weekly physical and digital sales, airplay, and, since 2012, streaming.
The first song to became "popular" through a national advertising campaign was "My Grandfather's Clock" in 1876. [3] Mass production of piano in the late-19th century helped boost sheet music sales. [3] Toward the end of the century, during the Tin Pan Alley era, sheet music was sold by dozens and even hundreds of publishing companies.
Other composers with atonal pieces include Harrison Birtwistle & Peter Maxwell Davies, [54] Jacob Druckman, Barbara Kolb, [55] Henry Cowell, Claude Debussy, Brian Ferneyhough, [56] Alexander Goehr, [57] Lou Harrison, Mårten Hagström, Paul Hindemith, Karel Husa, Charles Ives, György Ligeti, Witold Lutosławski, George Perle, [58] Sergei Prokofiev, David Raksin, [59] Nikolai Roslavets, [60 ...
Piano Concerto No. 1, op. 52 The Song of Gwyn ap Nudd (1906-8) Piano Concerto No. 2, op. 100 L'Orient; Arthur Honegger. Concertino (1924) Herbert Howells. Piano Concerto No.2 in C minor (1925) Bertold Hummel. Divertimento capriccioso (after themes from the Opera Il Flaminio by G.B. Pergolesi) for harpsichord or piano and chamber orchestra (1958)
Sheet music for the piano sonatas: Scores at the International Music Score Library Project "Music for piano, keyboard and organ". Archived from the original on December 31, 2009. Complete recording of Joseph Haydn's Piano Sonatas on a sampled Walter fortepiano and on a sampled Steinway D