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Cham dance at Leh Palace during the Dosmoche festival, 13 February 2018. The cham dance (Tibetan: འཆམ་, Wylie: ' cham) [2] [3] is a lively masked and costumed dance associated with some sects of Tibetan Buddhism and Buddhist festivals. The dance is accompanied by music played by monks using traditional
This is celebrated in the Dramyin Cham as well as in the religious song "Dramyin Choeshay". Specifically, the dance celebrates an incident in Tibetan Buddhist mythology - the victory of the saint Tsangpa Gyare (1161-1211) over a demon which was obstructing a pilgrimage path to Tsari, Tibet at the mouth of a valley. The saint apparently ...
"Chamma Chamma" is a Hindi song from the 1998 Indian film China Gate sung by Alka Yagnik and picturised on Urmila Matondkar which became extremely popular. [ 1 ] Song
[6]: 21, 180 Ordinary people watch cham dances in order to receive a spiritual benefit and merit. [1] The music and choreography of the cham dance are heavily associated with Tibetan Buddhism, however some common features derive directly from the Bön religion. [6]: 32 The Dramyin Cham in particular is a focal point of many modern tsechus.
Important festivals include Kate, celebrated mainly by the Chams of central Vietnam. The festival venerates ancient Cham royalty gods. Among Cham Muslims, Ramadan, El Fitri, and the Hajj are important celebrations. However, the Chams (regardless of faith) all have a very rich tradition of dance, arts, music, costumes, poetry, and more.
The Drametse Ngacham (meaning "mask dance of the drums from Drametse", nga means "drum" and cham means "mask dance") [1] is a sacred dance performed in the village of Drametse in eastern Bhutan. [2] It is performed twice a year during the Drametse festival, which occurs on the fifth and tenth months of the Bhutanese calendar. [2]
Cham (born Damian Beckett, 24 February 1977) [2] is a Jamaican-born dancehall singer, mostly known for his 2006 single "Ghetto Story" from his major label debut album of the same name, a song which led to multiple "story" songs by other artists in a similar vein. [3]
Cham women were taken as singers, dancers and entertainers for the court. The chronicles recorded that a special palace for Cham women was built in 1046, then in 1060 the emperor ordered a translation of Cham songs, and incorporated Cham drum known as trống cơm into the royal band. [8]