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A number of accessories make microphone stands more useful. Most of these are designed to get the microphone closer to the user without placing the upright portion of the stand directly in front of the performer. A "boom arm" attaches to the top of the stand so the microphone can move in the horizontal plane. A guitar player, for example, might ...
Boom Operator – The person who holds the microphone boom. Boom up (Boom down) – To raise, or lower, a camera or microphone that is already mounted on a crane or dolly. Butterfly frame – A large aluminum frame that filters light through a fabric stretched from edge to edge, often used during outdoor shoots.
May be rack-mounted, wall-mounted or portable. Wall mount station: Fixed-position intercom station with built-in loudspeaker. May have flush-mounted microphone, hand-held push to talk microphone or telephone-style handset. Belt pack: Portable intercom station worn on the belt such as an interruptible feedback (IFB) with an earpiece worn by talent.
Boundary microphone (Audio-Technica ATM87R) A boundary microphone (or pressure zone microphone) is one or more small omnidirectional or cardioid condenser mic capsule(s) positioned near or flush with a boundary (surface) such as a floor, table, or wall. The capsule(s) is/are typically mounted in a flat plate or housing.
The principal responsibility of the boom operator is microphone placement, usually using a boom pole (or "fishpole") with a microphone attached to the end (called a boom mic), their aim being to hold the microphone as close to the actors or action as possible without allowing the microphone or boom pole to enter the camera's frame. [1]
A lavalier microphone mounted on a T-shirt A lavalier microphone or lavalier (also known as a lav , lapel mic , clip mic , body mic , collar mic , neck mic or personal mic ) is a small microphone used for television, theater, and public speaking applications to allow hands-free operation.