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The monument consists of a cast-iron column on stone base [2] adorned with representations of telegraph lines and insulators running along the pole. The notable feature of the monument is the mosque on top of the column, "in the place on the upper part of the capital traditionally reserved for emperors, kings, saints, war heroes […], and explorers […] and other great men, a clear statement ...
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'Dome of the Treasury'), also known as the Bayt al-Mal or Beit al-Mal, [1] [2] is an old structure within the courtyard of the Umayyad Mosque in Damascus, Syria. It is an octagonal structure decorated with mosaics, standing on eight Roman columns. [3] The dome was built under orders from the Abbasid governor of Damascus, Fadl ibn Salih, in 789 ...
In Ottoman art the large and feathery leaves called saz became very popular, and were elaborated in drawings showing just one or more large leaves. Eventually floral decoration mostly derived from Chinese styles, especially those of Chinese porcelain , replaces the arabesque in many types of work, such as pottery, textiles and miniatures.
Statue of King Iku-Shamagan, c. 2500 BC. [13] [14] National Museum of DamascusSome of the museum's unique exhibits are the restored wall paintings of the Dura Europos Synagogue from the 3rd century AD, the hypogeum of Yarhai from Palmyra, dating to 108 AD and the façade and frescoes of the Umayyad period Qasr Al-Heer Al-Gharbi, which dates back to the 8th century and lies 80 km south of Palmyra.
Caravaggio biographer Helen Langdon describes the style of Conversion as "an odd blend of Raphael and clumsy rustic realism," but notes how the composition, with its jagged shapes and irrational light which picks out details for their dramatic impact, creates "a sense of crisis and dislocation [in which] Christ disrupts the mundane world."
Print/export Download as PDF; Printable version; In other projects ... Pages in category "Squares in Damascus" The following 5 pages are in this category, out of 5 ...
An Assyrian artistic style distinct from that of Babylonian art, which was the dominant contemporary art in Mesopotamia, began to emerge c. 1500 BC, well before their empire included Sumer, and lasted until the fall of Nineveh in 612 BC. Pair of Lamassus, Nimrud