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Ōkyo's painting style merged a tranquil version of Western naturalism with the Eastern decorative painting of the Kanō school. [13] His works show a Western understanding of highlight and shadow. [13] His realism differed from previous Japanese schools in its devotion to nature as the ultimate source with no regard for sentiment.
In 1756, when he was forty years old, he gave up managing the grocery store, retired, and moved to Shōkoku-ji to devote himself to painting. In 1758, when he was forty-two years old, he began to paint Doshoku Sai-e (動植綵絵, 'Colorful Realm of Living Beings'), a series of paintings depicting various animals and plants, as a memorial to his parents and youngest brother, who had died ...
Japanese painting 絵画, kaiga; also ... whose works and techniques came to Japan in the mid-18th century. Master Kuwayama Gyokushū was the greatest supporter of ...
Beginning in the mid-6th century, as Buddhism was brought to Japan from Baekje, religious art was introduced from the mainland. The earliest religious paintings in Japan were copied using mainland styles and techniques, and are similar to the art of the Chinese Sui dynasty (581–618) or the late Sixteen Kingdoms around the early 5th century ...
Japanese art consists of a wide range of art styles and media that includes ancient pottery, sculpture, ink painting and calligraphy on silk and paper, ukiyo-e paintings and woodblock prints, ceramics, origami, bonsai, and more recently manga and anime. It has a long history, ranging from the beginnings of human habitation in Japan, sometime in ...
Nihonga (Japanese: 日本画) is a Japanese style of painting that uses mineral pigments, and occasionally ink, together with other organic pigments on silk or paper. The term was coined during the Meiji period (1868–1912) to differentiate it from its counterpart, known as Yōga (洋画) or Western-style painting.
Tarashikomi (in Japanese 垂らし込み, meaning "dripping in") is a Japanese painting technique, in which a second layer of paint is applied before the first layer is dry. This effect creates a dripping form for fine details such as ripples in water or flower petals on a tree.
From 1823 to 1829, Kawahara drew and coloured detailed images of Japanese flora and fauna, at the behest of Dejima commander, physician and botanist Philipp Franz von Siebold. In 1825 Carl Hubert de Villeneuve (1800–1874) came to Dejima and taught Kawahara the fundamentals of Western painting techniques. As a result, Keiga introduced Western ...