Search results
Results From The WOW.Com Content Network
Gerard Manley Hopkins SJ (28 July 1844 – 8 June 1889) was an English poet and Jesuit priest, whose posthumous fame places him among the leading English poets. His prosody – notably his concept of sprung rhythm – established him as an innovator, as did his praise of God through vivid use of imagery and nature.
There is no accounting for tastes; There is no fool like an old fool; There is no I in team; There's no need to wear a hair shirt; There is no place like home; There is no shame in not knowing; the shame lies in not finding out. There is no smoke without fire/Where there is smoke, there is fire; There is no such thing as a free lunch
"Binsey Poplars" is a poem by Gerard Manley Hopkins (1844–1889), written in 1879. [ 1 ] [ 2 ] The poem was inspired by the felling of a row of poplar trees near the village of Binsey , northwest of Oxford , England , and overlooking Port Meadow on the bank of the River Thames . [ 3 ]
Twitter user Ronnie Joyce came across the poem above on the wall of a bar in London, England. While at first the text seems dreary and depressing, the poem actually has a really beautiful message.
Some forms are strictly defined, with required line counts and rhyming patterns, such as the sonnet (mostly made of a 14-line poem with a defined rhyme scheme) or limerick (usually a 5-line free rhyme poem with an AABBA rhyme scheme). Such poems exhibit closed form, meaning they have strict rules regarding their structure and length. [7]
The path of its departure still is free: Man's yesterday may ne'er be like his morrow; Nought may endure but Mutability." The monster also quotes a line from the poem in Chapter 15 of Frankenstein, saying: "'The path of my departure was free;' and there was none to lament my annihilation." [2]
An AI-enabled chatbot for the European parcel delivery company DPD called itself “useless” and said the company it was built for was “the worst delivery firm in the world,” after a ...
In 1971, Les Crane used a spoken-word recording of the poem as the lead track of his album Desiderata. [20] His producers had assumed that the poem was too old to be copyrighted, but the publicity surrounding the record led to clarification of Ehrmann's authorship and the eventual payment of royalties.