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Hermann von Gilm, the author of the lyrics. In 1882, Strauss' friend, Ludwig Thuile, introduced Strauss to the poetry of Gilm contained in the volume Letzte Blätter (Last Pages), published in the year of the poet's death, (and the composer's birth), 1864, which contained the poem, Allerseelen. [2]
The tone poems of Richard Strauss are noted as the high point of program music in the latter part of the 19th century, extending its boundaries and taking the concept of realism in music to an unprecedented level. In these works, he widened the expressive range of music while depicting subjects many times thought unsuitable for musical depiction.
The following other wikis use this file: Usage on af.wikipedia.org Johann Strauss I; Usage on de.wikipedia.org Johann Strauss (Vater) Usage on es.wikipedia.org Johann Strauss (padre) Usage on fr.wikipedia.org Johann Strauss; Usage on it.wikipedia.org Johann Strauss (1804) Usage on ja.wikipedia.org ローレライ＝ラインの調べ
", Op. 27, No. 1, is the first in a set of four songs composed by Richard Strauss in 1894. It was originally for voice and piano, and not orchestrated by Strauss until 1948, after he had completed one of his Four Last Songs, "Im Abendrot ". [2] The words are from a poem "Ruhe, meine Seele!" (Rest, my soul) written by the poet Karl Henckell.
An Alpine Symphony, tone poem for orchestra 234: 65 — 1919: opera: Die Frau ohne Schatten, opera in three acts 234a — 146: 1947: orchestral: Symphonische Fantasie aus 'Die Frau ohne Schatten' 235: 68 — 1918: Lieder: Six songs (after poems of Clemens Brentano) for voice and piano, orchestrated 1940
Download QR code; Print/export Download as PDF; Printable version; In other projects ... Allerseelen (band) "Allerseelen " (Strauss), an 1885 art song;
Strauss in 1900. Strauss composed "Freundliche Vision", along with the other four songs of Op. 48, in 1900. This song sets a poem by Otto Julius Bierbaum, while the other four set poems by Karl Henckell. Strauss composed art songs as a transition between working in instrumental music and opera; [7] he wrote his first opera, Feuersnot, the same ...
"Zueignung" was the first of eight songs by Strauss published as Op. 10, [4] which were all settings of Gilm's poems. In 1885, they were the first songs Strauss ever published. [ 4 ] The song was given its first public performance at Meiningen in a chamber concert on 5 March 1886 (along with three other Opus 10 songs "Nichts", " Allerseelen ...