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Man, the State, and War is a 1959 book on international relations by realist academic Kenneth Waltz. The book is influential within the field of international relations theory for establishing the three 'images of analysis' used to explain conflict in international politics: the international system, the state, and the individual. [1] [2]
Shield: Or, three bars gules, on a canton ermine a cross paty gules. Crest: Issuant from a human heart a dexter hand holding a sword proper. Motto: In Cruce Vinco (In the cross I conquer). [15] Arms of Chester A. Arthur, 21st president, 1881–1885 Shield: Gules, a chevron argent between three rests [clarions] or.
tree, branch, as a giant or ogre, carrying the Christ child, spear, shield, as a dog-headed man [citation needed] Chrysanthus and Daria: Crosses [citation needed] Chrysogonus: Bearded young man dressed as a Roman military officer [citation needed] Chrysostomos of Smyrna: Episcopal vestments, usually holding a staff or a Gospel. Clara Fey
The only name for this diagram which was in any regular use during the Middle Ages was "Scutum Fidei", a Latin phrase meaning "Shield of the Faith", taken from the Vulgate of Ephesians verse 6:16. For example, in this c. 1247–1258 manuscript of John of Wallingford 's writings, the quote from Ephesians 6:16 is placed directly above the diagram.
Depicted holding in his right hand a chalice, out of which a snake is escaping [8] James the Great: Red Martyr, Scallop, Pilgrim's hat [citation needed] James, brother of Jesus: Red Martyr, fuller's club; man holding a book [citation needed] James, son of Alphaeus: Carpenter's saw; fuller's club [citation needed] Jan Franciszek Macha
Baroque Trinity, Hendrick van Balen, 1620, (Sint-Jacobskerk, Antwerp) Holy Trinity, fresco by Luca Rossetti da Orta, 1738–39 (St. Gaudenzio Church at Ivrea). The Trinity is most commonly seen in Christian art with the Holy Spirit represented by a dove, as specified in the gospel accounts of the baptism of Christ; he is nearly always shown with wings outspread.
The image depicts three of the Graces of classical mythology. It is frequently asserted that Raphael was inspired in his painting by a ruined Roman marble statue displayed in the Piccolomini Library of the Siena Cathedral—19th-century art historian [Dan K] held that it was a not very skillful copy of that original—but other inspiration is possible, as the subject was a popular one in Italy.
Shown holding a martyr's cross, or a plate with two eyes on it [citation needed] Tegulus: depicted as a soldier bearing a banner with the Mauritian Cross and the palm of martyrdom; spade [citation needed] Tekle Haymanot: Man with wings on his back and only one leg visible [citation needed] Ten thousand martyrs