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A Toot and a Snore in '74 is a bootleg album consisting of the only known recording session in which John Lennon and Paul McCartney played together after the break-up of the Beatles in 1970. First mentioned by Lennon in a 1975 interview, [ 1 ] more details were brought to light in May Pang 's 1983 book, Loving John , and it gained wider ...
In the 1920s, folklorists, notably Dorothy Scarborough (1925) and Guy Johnson and Howard W. Odum (1926), also collected transcribed versions. Scarborough's short text, published in her book, On The Trail of Negro Folk-Songs (1925), is the first version published under the title "Nine-Pound Hammer", before the earliest commercial recording of that name. [7]
Here are some tasks awaiting attention: Article requests : Articles on each Beatle tour (Category:The Beatles concert tours).See: Missing articles. Expand : The Lost Lennon Tapes, notable radio series which has spawned many bootlegs.
Two versions of the song, both performed by Lennon, appear in the 2006 film, Children of Men.The standard version of the song (originally released on the Mind Games album) is heard during the course of the film, and an alternate version of the song, originally released on the 1998 John Lennon Anthology boxed set, is featured over the closing credits.
"Let Me Roll It" is a song by the British–American rock band Paul McCartney and Wings, released on their 1973 album Band on the Run. The song was also released as the B-side to "Jet" in early 1974, and has remained a staple of McCartney's live concerts since it was first released.
Pennsylvania’s Punxsutawney Phil might be the most well-known weather-predicting groundhog, but a new list casts doubt on his accuracy.Phil did so poorly that even nonliving critters outshine ...
"Steel and Glass" is a song written and performed by John Lennon, released on his 1974 album Walls and Bridges. A dark folk song, [2] it has been interpreted as an attack on Lennon's former business manager Allen Klein but others argue Lennon was in fact addressing the song to himself, in a similar fashion to the Beatles' track "Nowhere Man".
Goldie Hawn gave the cast of Death Becomes Her a night they're sure to remember forever.. On Friday, Feb. 21, the Oscar-winning actress, 79, paid a visit to the hit new Broadway musical, which ...