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Quiet City for trumpet, alto saxophone, B ♭ clarinet (doubling bass clarinet), and piano (1939)—Aaron Copland; Quartet No. 1 for Trumpet, Tenor Saxophone, Piano and Percussion (1950/1954)—Stefan Wolpe [59] All Set for alto saxophone, tenor saxophone, trumpet, trombone, bass, piano, vibraphone, and percussion (1957)—Milton Babbitt [60]
Despite being a common grouping in jazz, saxophone, piano and percussion was an extremely rare grouping in classical music until the end of the 20th century, when Trio Accanto started commissioning works to build a repertoire for themselves.
Reads Alto Clef Soprano trombone: C4 May be B ♭ 3 like a B ♭ trumpet Bass Trombone C4 The Bass Trombone is the same as the Tenor Trombone except it has a larger bore and an extra trigger Contrabass Trombone C4 Plays the same notes as a tuba Trumpet: C Piccolo Trumpet: C 5: Piccolo trumpet: B ♭ 4: Piccolo Trumpet in A A 4: F trumpet F 4: E ...
The trumpet repertoire consists of solo literature and orchestral or, more commonly, band parts written for the trumpet.Tracings its origins to 1500 BC, the trumpet is a musical instrument with the highest register in the brass family.
Common examples are clarinets (the high E ♭ clarinet, soprano instruments in C, B ♭ and A, the alto in E ♭, and the bass in B ♭), flutes (the piccolo, transposing at the octave, the standard concert-pitch flute, and the alto flute in G), saxophones (in several octaves in B ♭ and E ♭), and trumpets (the common instrument in B ...
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in the key of E ♭ , smaller than the B ♭ tenor but larger than the B ♭ soprano .
Rhapsodie for saxophone and orchestra, L.98, also known as Rhapsodie mauresque or Rhapsodie orientale, is a piece for alto saxophone and accompaniment by Claude Debussy. Completed in solo and piano form in 1911, the piece is most well known through its 1919 orchestration of the accompaniment by Jean Roger-Ducasse .
The music is a continuous free improvisation with only a few brief pre-determined sections, recorded in one take with no overdubbing or editing. [6] The album features what Coleman called a “double quartet,” i.e., two self-contained jazz quartets: each with a reed instrument, trumpet, bass, and drums. [7]