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The band recorded a four-song demo tape in Mars's basement; [23] Westerberg handed it to Peter Jesperson in May 1980. [24] Jesperson was the manager of Oar Folkjokeopus, a punk rock record store in Minneapolis; [25] he also founded Twin/Tone Records with Paul Stark (a local recording engineer) and Charley Hallman.
The song is a homage to Alex Chilton, lead singer of the Box Tops and Big Star.The Replacements and Chilton shared a booking agent and were mutual fans of each other; Chilton had even produced early demos for the band's 1985 album Tim, although the final album was produced by Tommy Ramone. [4]
"Can't Hardly Wait" is a song by American rock band the Replacements from their fifth studio album Pleased to Meet Me. Written shortly after the sessions for Let It Be, the song was attempted for the 1985 Tim album but ultimately went unreleased until Pleased to Meet Me.
With tongues firmly in their cheeks and smirks plastered to their faces, the Replacements begin their second full-length with 112 seconds of what sounds like four guys playing four different songs ...
Replacements bassist Tommy Stinson joined the project only about a week after it started, and no bassists are included among the list of session musicians, indicating that Stinson played most of the bass on the record. Stinson has mentioned 'the songs I didn't play on' which may refer to songs like the title track that do not feature bass, or ...
"Unsatisfied" is a song written by Paul Westerberg and recorded by his band the Replacements for their third studio album Let It Be (1984). Revolving around the central lyric "I'm so unsatisfied," the song was largely fleshed out in the studio and featured improvised guitar lines from guitarist Bob Stinson.
Near the 40th anniversary of their fifth studio album and major label debut, “Tim,” The Replacements are releasing “Tim: Let it Bleed Edition.” The massive box set features a loving ...
Let It Be is the third studio album by American rock band the Replacements.It was released on October 2, 1984, by Twin/Tone Records.A post-punk album with coming-of-age themes, Let It Be was recorded by the band after they had grown tired of playing loud and fast exclusively as on their 1983 Hootenanny album; the group decided to write songs that were, according to vocalist Paul Westerberg, "a ...