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For organ works, POP catalogue numbers are provided, from catalogue by Antoine Bouchard for his 1998–2001 recording of Pachelbel's organ oeuvre (this catalogue only covers organ works). Perreault numbers are used as the basis of the list, making individual sections organized alphabetically (i.e. the chorales) and/or by tonality.
Johann Pachelbel [n 1] (also Bachelbel; baptised 11 September [O.S. 1 September] 1653 [n 2] – buried 9 March 1706) was a German composer, organist, and teacher who brought the south German organ schools to their peak.
Like most other chaconnes by Pachelbel (with the exception of Chaconne in D major, PWC 40, T. 203, PC 145, POP 13), Chaconne in F minor survives in a single copy. [1] The manuscript is currently in possession of the Royal Library of Belgium in Brussels (catalogue number MS II.3911) and contains seven groups of pieces, each containing a chaconne.
Chaconne in D minor (PWC 41, T. 204, PC 147, POP 14) is an organ chaconne by Johann Pachelbel. It is one of the six surviving chaconnes by the composer, and one of his best known organ works. The chaconne survives in a single manuscript, the famous Andreas Bach Buch compiled by Johann Christoph Bach (1671–1721), Johann Sebastian Bach's
Erster Theil etlicher Choräle (commonly known as Acht Choräle zum Präambulieren, PWC 45–52, T. 1–8, PC 1–8) is a collection of liturgical organ music by Johann Pachelbel, published during his lifetime. It contains eight chorale preludes in seven different styles.
Andante (Prelude) in D minor for organ, WAB 126/2 (c. 1846) Prelude in E flat major for organ, WAB 127 (c. 1835, doubtful authorship, possibly by Johann Baptist Weiss) Four Preludes in E flat major for organ, WAB 128 (c. 1835, doubtful authorship, possibly by Johann Baptist Weiss) Prelude (Perger Präludium) in C major for organ, WAB 129 (1884)
Later organ compositions include those by Johann Pachelbel (chorale preludes, one of them printed in his Erster Theil etlicher Choräle c. 1693) and by Georg Böhm ("Vom Himmel hoch, da komm ich her" ).
Chorale partitas are generally played on the organ or harpsichord. The chorale partita was a popular style during the middle and late Baroque era. Georg Böhm is credited as the inventor of the chorale partita, and Johann Pachelbel and Johann Sebastian Bach also wrote many of these works. [1]