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Tibullus book 1 is the first of two books of poems by the Roman poet Tibullus (c. 56–c.19 BC). It contains ten poems written in Latin elegiac couplets , and is thought to have been published about 27 or 26 BC.
Lawrence Alma-Tadema, Tibullus at Delia's. Albius Tibullus (c. 55 BC – c. 19 BC) was a Latin poet and writer of elegies. His first and second books of poetry are extant; many other texts attributed to him are of questionable origins. Little is known about the life of Tibullus.
By the time Tibullus wrote these poems, Delia (Tibullus's girlfriend in book 1) had disappeared, and another woman called Nemesis had taken her place. Tibullus says he has been in love with her for a year (2.5.119). She is named after Nemesis, the goddess of divine retribution. Like Delia, Nemesis appears to have been a high-class courtesan.
Sulpicia's surviving work consists of six short elegiac poems (3.13–18), which have been preserved as part of a collection of poetry, book 3 of the Corpus Tibullianum, initially attributed to Tibullus. The poems are addressed to Cerinthus. [2]
Since book 1 of the Satires was written about 35 BC, it seems unlikely that Horace's Cerinthus is the same as Tibullus's Cornutus, despite the similarity of the situation. [10] Robert Maltby, who believes that the Sulpicia poems and the Garland were not written in the time of Tibullus but much later, argues that the persona of "Cerinthus" is a ...
Duinskie elegii Дуинские элегии [Duino Elegies] (PDF) (in Russian). Translated by Mikushevich, Vladimir Borisovich. Translated by Mikushevich, Vladimir Borisovich. ImWerdenVerlag. 2002.
The elegiac couplet is presumed to be the oldest Greek form of epodic poetry (a form where a later verse is sung in response or comment to a previous one). Scholars, who even in the past did not know who created it, [3] theorize the form was originally used in Ionian dirges, with the name "elegy" derived from the Greek ε, λεγε ε, λεγε—"Woe, cry woe, cry!"
An elegy is a poem of serious reflection, and in English literature usually a lament for the dead. However, according to The Oxford Handbook of the Elegy, "for all of its pervasiveness ... the 'elegy' remains remarkably ill defined: sometimes used as a catch-all to denominate texts of a somber or pessimistic tone, sometimes as a marker for textual monumentalizing, and sometimes strictly as a ...