Ads
related to: supplementary weaving pattern
Search results
Results From The WOW.Com Content Network
Supplementary weaving is a decorative technique in which additional threads are woven into a textile to create an ornamental pattern in addition to the ground pattern. The supplementary weave can be of the warp or of the weft. [ 1 ]
Soumak is a type of flat weave, somewhat resembling kilim, but with a stronger and thicker weave, a smooth front face and a ragged back, where kilim is smooth on both sides. Soumak lacks the slits characteristic of kilim, as it is usually woven with supplementary weft threads as continuous supports.
These techniques include designs worked by a supplementary weave warp, embroidery, the application of beads and shells, and, occasionally, tufting with supplementary yarns. The figures used in these textiles appear in light-colored yarns on plain backgrounds of dark blue, red, brown, or black. Lau pahudu are skirts worked with supplementary warp.
There are four types of supplementary weft weaving technique: continuous, discontinuous, inlaid and wrapped. [5] Songket weaving is done in two stages, weaving the basic cloth with even or plain weaving and weaving the decoration inserted into basic cloth, this method is called "inlay weaving system". [14]
The weaving technique is the dying of the thread is complex and ritualized, as described in the page on geringsing. Once dyed, the warp is laid out on the loom and the cloth is woven in a loose balanced weave. The pattern is carried by both the warp and the weft. Great precision is needed at all stages of the production.
Sapma: Continuous weft pattern designs. Tingma: Discontinuous weft pattern designs. Textile experts often mistake the supplementary weft pattern designs for embroidery as they say it is impossible to weave the brocade patterning on a common back-strap loom. The sapma and Tingma weft pattern designs are usually used as pattern designs for :
Lampas is a type of luxury fabric created on a draw loom with a background weft (a "ground weave") typically in taffeta with supplementary wefts (the "pattern wefts") laid on top and forming a design, sometimes also with a "brocading weft". Lampas is typically woven in silk, and often has gold and silver thread enrichment. The lampas technique ...
Accha Alta textiles are recognized for their thin sections of plain weave and wide designs in the ley (supplementary warp) technique. Traditional textiles from Accha Alta are white and red. Common designs include patterns of lakes, which are represented as diamonds, for example, wasqa qocha, or long lakes. [11]