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This is a list of terms frequently encountered in the description of ukiyo-e (浮世絵)-style Japanese woodblock prints and paintings. For a list of print sizes, see below. Aizuri-e (藍摺絵); "blue picture" Aka-e (赤絵); "red picture" Aratame (改); "examined" character found in many censor seals
Chinese dynasties, particularly the Tang dynasty, have influenced Japanese culture throughout history and brought it into the Sinosphere. After 220 years of isolation, the Meiji era opened Japan to Western influences, enriching and diversifying Japanese culture. Popular culture shows how much contemporary Japanese culture influences the world. [2]
An example of pillar print format, 69.2 x 10.1 cm. Japanese printmaking, as with many other features of Japanese art, tended to organize itself into schools and movements. The most notable schools (see also schools of ukiyo-e artists) and, later, movements of moku-hanga were: Torii school, from 1700; Kaigetsudō school, from 1700 to 1714
Gairaigo are Japanese words originating from, or based on, foreign-language, generally Western, terms.These include wasei-eigo (Japanese pseudo-anglicisms).Many of these loanwords derive from Portuguese, due to Portugal's early role in Japanese-Western interaction; Dutch, due to the Netherlands' relationship with Japan amidst the isolationist policy of sakoku during the Edo period; and from ...
The modern Japanese book differs little from the western book in construction. However, most books are printed to be read top-to-bottom and right-to-left, which includes manga, a prominent part of Japanese culture today. The notable exception in arrangement is various technical books and textbooks, which tend to be printed according to the ...
Tsukioka Yoshitoshi (Japanese: 月岡 芳年; also named Taiso Yoshitoshi 大蘇 芳年; 30 April 1839 – 9 June 1892) was a Japanese printmaker. [1] Yoshitoshi has widely been recognized as the last great master of the ukiyo-e genre of woodblock printing and painting. He is also regarded as one of the form's greatest innovators.
Ryōgen (left), 18th chief abbot (zasu) of Enryaku-ji. The omikuji sequence historically commonly used in Japanese Buddhist temples, consisting of one hundred prophetic five-character quatrains, is traditionally attributed to the Heian period Tendai monk Ryōgen (912–985), posthumously known as Jie Daishi (慈恵大師) or more popularly, Ganzan Daishi (元三大師), and is thus called ...
Muzan translates from Japanese as cruelty or atrocity, and the works were said to spread a general panic amongst the populace at the time of publishing, with the extreme violence depicted in the paintings taken as a sign of social and moral decline.