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Tibetan singing bowl used at a live performance of Longplayer. Longplayer is based on an existing piece of music, 20 minutes and 20 seconds in length, which is processed by computer using a simple algorithm. This gives a large number of variations, which, when played consecutively, gives a total expected runtime of 1000 years.
Monks playing dungchen, Tibetan long trumpets, from the roof of the Medical College, Lhasa, 1938 Street musician playing a dramyin, Shigatse, Tibet, 1993. The music of Tibet reflects the cultural heritage of the trans-Himalayan region centered in Tibet, but also known wherever ethnic Tibetan groups are found in Nepal, Bhutan, India and further abroad.
Standing bells are known by a wide variety of terms in English, and are sometimes referred to as bowls, basins, cups or gongs. Specific terms include resting bell, [1] prayer bowl, [2] Buddha bowl, [3] Himalayan bowl, [4] Tibetan bell, [4] rin gong, [2] bowl gong [3] and cup gong. [2]
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Music of Tibet [1] is a historic recording, made by world religion scholar Huston Smith in 1967. [2] While traveling in India, Smith was staying at the Gyuto Monastery. While listening to the monks chanting, he realized that each monk was producing multiple overtones for each note, creating a chord from a single voice.
An artwork featuring a mother putting her baby to sleep with her music. Sleep problems are found to be correlated with poor well-being and low quality of life. [1] Persistent sleeping disturbances can lead to fatigue, irritability, and various health issues. Numerous studies have examined the positive impact of music on sleep quality.
The lyrics for the second album was written by Dagthon Jampa Gyaltsen, Tibetan Astronomy and Astrology master at Mentseekhang (Tibetan Medical Institute) Dharamshala, India. Their songs are about Tibetan love and freedom. The song Ngatso Bhoe ki Dokpa (We Tibetan Nomads) from the first album became an all-time favourite. It has been covered ...
A typical Tibetan Buddhist ritual orchestra consists of a gyaling, dungchen, kangling, dungkar (conch shells), drillbu (handbells), silnyen (vertical cymbals), and most importantly, chanting. Together, the music creates a state of mind to invite or summon deities.