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"Portrait of a Lady" is a poem by American-British poet T. S. Eliot (1888–1965), first published in September 1915 in Others: A Magazine of the New Verse. It was published again in March 1916 in Others: An Anthology of the New Verse, in February 1917 (without the epigraph) in The New Poetry: An Anthology, and finally in his 1917 collection of poems, Prufrock and Other Observations.
[13] [14] He argued that the portrait in the Toledo Museum of Art should by rights depict a lady with strong ties to the Cromwell family who was 21 in around 1535 to 1540. [15] He stated that a dated parallel for costume (a short-lived style), notably the distinctive cut of the sleeves, is Holbein's Christina of Denmark of 1538. [ 15 ]
English auxiliary verbs are a small set of English verbs, which include the English modal auxiliary verbs and a few others. [1]: 19 [2]: 11–12 Although the auxiliary verbs of English are widely believed to lack inherent semantic meaning and instead to modify the meaning of the verbs they accompany, they are nowadays classed by linguists as auxiliary on the basis not of semantic but of ...
The English modal verbs consist of the core modals can, could, may, might, must, shall, should, will, would, as well as ought (to), had better, and in some uses dare and need. [20] These do not inflect for person or number, [ 20 ] do not occur alone, and do not have infinitive or participle forms (except synonyms, as with be/being/been able (to ...
The Portrait of a Lady is a novel by Henry James, first published as a serial in The Atlantic Monthly and Macmillan's Magazine in 1880–81 and then as a book in 1881. It is one of James's most popular novels and is regarded by critics as one of his finest.
Portrait of a Lady, also known as The Lady in Red (Italian: Dama in Rosso) is an oil on canvas painting by Italian painter Giovanni Battista Moroni, from c. 1556–1560. It is believed to depict Countess Lucia Albani Avogadro, a 16th-century Italian poet. It is held in the National Gallery, in London. [1] [2]
The English modal auxiliary verbs are a subset of the English auxiliary verbs used mostly to express modality, properties such as possibility and obligation. [a] They can most easily be distinguished from other verbs by their defectiveness (they do not have participles or plain forms [b]) and by their lack of the ending ‑(e)s for the third-person singular.
The result of the evaluation is called the modal force. [2]: 649 For example, the utterance in (4) expresses that, according to what the speaker has observed, it is necessary to conclude that John has a rather high income: (4) John must be earning a lot of money. The modal base here is the knowledge of the speaker, the modal force is necessity.