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Sousa's heirs presented this march to the Library of Congress in 1970. It is considered a revised version of Sousa's "Salutation" march. The structure has an unusual three strains before the Trio, including a repeated introduction, and a rare second strain chromatic mediant modulation. The Trio changes from compound to simple meter, the first ...
We March, We March to Victory (1914) (hymn) Boots (1916) I Love Jim (1916) Come Laugh and Be Merry (1916) The Song of the Dagger (1916) Blue Ridge, I'm Coming Back to You (1917) The Love That Lives Forever (1917) When the Boys Come Sailing Home! (1918) We Are Coming (1918) The Toast (1918) Pushing On (1918) Lovely Mary Donnelly (1918)
During his tenure, he was popularly referred to as the "March King". [2] In 1892, after leaving the marine band, Sousa started his own band, which he later called "Sousa's Band". [3]: 17 The Boy Scouts of America was formed in 1910; Sousa considered it a "wonderful and powerful force toward the making of true Americanism and good citizens".
The opening strain of the march is famous and familiar to many. Typically, the march is played at a tempo of 110 to 120 beats per minute, rarely any faster. March enthusiasts have argued that the trio sections' mellow and moving phrases are among Sousa's most musical. Six sudden eighth notes move the melody along.
Back when Sousa was the march king, every newspaper had a march of its own. Skip to main content. 24/7 Help. For premium support please call: 800-290-4726 more ways to reach us. Sign in. Mail. 24/ ...
According to author Paul E. Bierley, "The new march saluted Shriners", but was specifically dedicated to the Almas Temple and the AAONMS. [6]: 74 "Nobles of the Mystic Shrine" is one of the few of Sousa's marches in which the introduction and the first strain is written in the minor mode. The march is approximately 3 minutes 30 seconds long.
Sousa did it all for more than 30 years on 31 national tours and 14 international tours. In 1924 alone, more than 3 million people heard the Sousa band, more than any other American musical performer.
King Cotton is a military march composed in 1895 [1] by John Philip Sousa, for the Cotton States and International Exposition (1895). The expression "King Cotton" in general refers to the historically high importance of cotton as a cash crop in the southern United States. The form is as follows; the number of bars is indicated in the parentheses.