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The opening bars and main theme of No. 1. The Nocturnes, Op. 9 are a set of three nocturnes for solo piano written by Frédéric Chopin between 1831 and 1832, published in 1832, and dedicated to Madame Marie Pleyel. These were Chopin's first published set of nocturnes. The second nocturne of the work is often regarded as Chopin's most famous ...
Chopin's nocturnes numbered 1 to 18 were published during his lifetime, in twos or threes, in the order of composition. However, numbers 19 and 20 were actually written first, prior to Chopin's departure from Poland , but published posthumously.
Chopin at 25, by Maria Wodzińska, 1835. Most of Chopin's compositions were for solo piano, although he did compose two piano concertos (his concertos No. 1 and No. 2 are two of the romantic piano concerto repertoire's most often-performed pieces) as well as some other music for ensembles.
Beethoven – String Trios, Op. 9; Chopin – Nocturnes, Op. 9; Dohnányi – Symphony No. 1; Kabalevsky – Piano Concerto No. 1; Larsson – The Princess of Cyprus (Prinsessan av Cypern), opera in four acts (1936) Rachmaninoff – Trio élégiaque No. 2; Schumann – Carnaval; Sibelius – En saga, tone poem for orchestra (1892, revised 1902)
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For his part, Schumann not only dedicated his Kreisleriana, Op. 16, to Chopin, [14] he also wrote his own Variations on Chopin's Nocturne in G minor, Op. 15/3 (first published 1981), in between their two meetings; [8] he wrote an imitative section called simply "Chopin" in Carnaval, Op. 9; and he remained a lifelong staunch champion of Chopin's ...
Opening bars of Op. 62 No. 1 in B major. Written between 1845 and 1846, Nocturnes Op. 62 are a set of two nocturnes for solo piano by Frédéric Chopin. They were published in 1846 and are dedicated to Mademoiselle R. de Konneritz. [1] These were Chopin's final compositions in the genre, although they were not the last to be published. [2]
The Nocturnes, Op. 32 is a set of two nocturnes for solo piano written and published by Frédéric Chopin in 1837. [ 1 ] [ 2 ] The nocturnes are dedicated to Madame Camile de Billing, [ 2 ] and were his ninth and tenth nocturnes published.