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Fugue in G minor, BWV 578, (popularly known as the Little Fugue), is a piece of organ music written by Johann Sebastian Bach during his years at Arnstadt (1703–1707). It is one of Bach's best known fugues and has been arranged for other voices, including an orchestral version by Leopold Stokowski.
BWV 575 – Fugue in C minor; BWV 576 – Fugue in G major; BWV 577 – Fugue in G major "à la Gigue" (spurious) BWV 578 – Fugue in G minor "Little" BWV 579 – Fugue on a theme by Arcangelo Corelli (from Op. 3, No. 4); in B Minor; BWV 580 – Fugue in D major (spurious) BWV 581 – Fugue in G major (not by Bach, composed by Gottfried August ...
The Great Fantasia and Fugue in G minor, BWV 542, is an organ prelude and fugue by Johann Sebastian Bach. It acquired that name to distinguish it from the earlier Little Fugue in G minor, which is shorter. This piece is not to be confused with the Prelude and Fugue in A minor, which is also for organ and also sometimes called "the Great". [1] [2]
The Fugue in G minor is a musical composition, possibly for the lute, written by Johann Sebastian Bach shortly after he moved from Köthen to Leipzig in 1723. Today the piece is typically played on the guitar .
BWV 574b – Fugue in C minor (alternative version of BWV 574) BWV 575 – Fugue in C minor; BWV 576 – Fugue in G major (doubtful) [10] BWV 577 – Fugue in G major à la Gigue (doubtful) [11] BWV 578 – Fugue in G minor ("Little") BWV 579 – Fugue in B minor (on a theme by Corelli, from Op. 3, No. 4) BWV 580 – Fugue in D major (doubtful ...
Bach's G minor fugue is "insistent and pathetic". [ citation needed ] The subject also appears in his funeral cantata Gottes Zeit ist die allerbeste Zeit (God's time is the very best time). [ 1 ] The subject of the fugue employs a minor 6th leap in the first measure, then resolves it with a more conventional stepwise motion.
The six-part fugue in the "Ricercar a 6" from The Musical Offering, in the hand of Johann Sebastian BachIn classical music, a fugue (/ f juː ɡ /, from Latin fuga, meaning "flight" or "escape" [1]) is a contrapuntal, polyphonic compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches ...
The subject of the fugue is composed of three separate motifs, all of which can be found in canzonas and ricercars. The 19th-century Bach scholar Philipp Spitta praised the fugue, particularly its modulations. Williams has suggested that "perhaps the imaginative penultimate bar was inspired by J. S. Bach". [8] [3] Prelude and Fugue in A minor ...
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