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Bach's autograph of the 4th Fugue of Book 1 Bach's autograph of Fugue No. 17 in A ♭ major from the second part of Das Wohltemperirte Clavier. Each set contains 24 pairs of prelude and fugue. The first pair is in C major, the second in C minor, the third in C ♯ major, the fourth in C ♯ minor, and so on.
BWV 954 – Fugue in B-flat major on a theme by Johann Adam Reincken; BWV 955 – Fugue in B-flat major; BWV 956 – Fugue in E minor (doubtful) [48] BWV 957 – Machs mit mir, Gott, nach deiner Güt (chorale prelude for organ in the Neumeister Collection, previously listed as Fugue in G major) BWV 958 – Fugue in A minor (doubtful) [49]
BWV 575 – Fugue in C minor; BWV 576 – Fugue in G major; BWV 577 – Fugue in G major "à la Gigue" (spurious) BWV 578 – Fugue in G minor "Little" BWV 579 – Fugue on a theme by Arcangelo Corelli (from Op. 3, No. 4); in B Minor; BWV 580 – Fugue in D major (spurious) BWV 581 – Fugue in G major (not by Bach, composed by Gottfried August ...
BWV 957 – Machs mit mir, Gott, nach deiner Güt (chorale prelude for organ in the Neumeister Collection, previously listed as Fugue in G major) BWV 958 – Fugue in A minor [b] BWV 959 – Fugue in A minor; BWV 960 – Fugue in E minor [b] [74] BWV 961 – Fughetta in C minor; BWV 962 – Fughetta in E minor [a] [75] BWV 963 – Sonata in D major
The surviving autograph manuscript of the sonatas and partitas was made by Bach in 1720 in Köthen, where he was Kapellmeister.As Christoph Wolff comments, the paucity of sources for instrumental compositions prior to Bach's period in Leipzig makes it difficult to establish a precise chronology; nevertheless, a copy made by the Weimar organist Johann Gottfried Walther in 1714 of the Fugue in G ...
The Great Fantasia and Fugue in G minor, BWV 542, is an organ prelude and fugue by Johann Sebastian Bach. It acquired that name to distinguish it from the earlier Little Fugue in G minor, which is shorter. This piece is not to be confused with the Prelude and Fugue in A minor, which is also for organ and also sometimes called "the Great". [1] [2]
The title page of Mus. ms. autogr. P 200, which bears the title Die / Kunst der Fuga / di Sig.o Joh. Seb. Bach. / (in eigenhändiger Partitur). The earliest extant source of the work is an autograph manuscript possibly written from 1740 to 1746, usually referred to by its call number as Mus. ms. autogr.
Fugue E-flat major, BWV 552/ii; The Prelude and Fugue were published separately as a pair by C. F. Peters in 1845 in Volume III of the Organ Works of J. S. Bach, with the fugue listed in the contents as the "St Annen-Fuge". [53]