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Kumudini Lakhia (born 17 May 1930) is an Indian Kathak dancer and choreographer based in Ahmedabad, Gujarat, [1] where she founded Kadamb School of Dance and Music, an institute of Indian dance and music in 1967.
[39] [40] When the colonial European officials began arriving in India, the Kathak court entertainment they witnessed was a synthesis of the ancient Indian tradition and Central Asian-Persian dance form, and the Kathak dance performers were called the "nautch girls" (or natch, a derivative of the more difficult to pronounce Sanskrit natya). [15 ...
Sitara Devi (born Dhanlakshmi; 8 November 1920 – 25 November 2014) was an Indian dancer of the classical Kathak style of dancing, a singer, and an actress. She was the recipient of several awards and accolades, and performed at several prestigious venues in India and abroad; including the Royal Albert Hall, London (1967) and at the Carnegie Hall, New York (1976).
Tawaif Mah Laqa Bai dancing in court. Mujra is a dance performance by man/woman in a format that emerged during Mughal rule in India, where the elite class and local rulers like the nawabs of the Indian society (often connected to the Mughal emperor's court) used to frequent tawaifs (courtesans) for their entertainment.
Aditi Mangaldas (born 1960) is a Kathak dancer and choreographer, who is known for her classical Kathak as well as 'contemporary dance based on kathak" repertoire. [1] Mangaldas is hailed as one of the leading dancers in the field of Kathak in India as well as across the world. [2] Mangaldas has trained under Kumudini Lakhia and Pundit Birju ...
Of India in Kathak for years 2011–12. [6] She is an author and published her research book Bharatiya Nritya ki Varnamala: Hast Mudrayen (ABC of Indian Dance Gestures) in Hindi language. Hardcover - 2003 ISBN 978-8190105712 [7] Her book has also been prescribed for the Bachelor level of Dance syllabus at University of Indore, Govt. of Madhya ...
One of the most striking features of Indian classical dance and dances of Thailand, [1] Cambodia, Laos, Myanmar and the Malay world is the use of hand gestures. Speaking in dance via gestures in order to convey outer events or things visually is what mudras do. To convey inner feelings, two classifications of mudras (hand or finger gesture) are ...
Due to different circumstances of her learning, geographical, intellectual, temporary, among others, Rohini could experiment freely in Kathak, applying her musical and intellectual interests. [7] Bhate founded the Nrityabharati Kathak Dance Academy at Pune in 1947. [1] Over the last six decades she trained hundred of dancers from her academy. [3]