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Stepdance steps vary according to the "Celtic" tune type played, such as jigs, reels, strathspeys, clogs, hornpipes, two-steps, and polkas. A reel, the most common tune type in Canadian stepdance, is played in 4/4 time, and is fun, fast and lively. A jig, also quite popular, is played in 6/8 time and sounds like an energetic march.
Canadian hip hop record labels (1 C, 14 P) S. Canadian hip hop songs (25 C, 4 P) Pages in category "Canadian hip-hop" The following 7 pages are in this category, out ...
A Round Dance is a traditional dance of several Indigenous groups in Western Canada. A powwow typically includes several dances such as jingle dress dancing and hoop dancing. Northwest coast Indigenous nations in the smokehouse or longhouse traditions include ceremonial, social and performative dancing such as the archer dance and the down ...
The Canadian hip hop scene was established in the 1980s. Through a variety of factors, it developed much slower than Canada's popular rock music scene, and apart from a short-lived burst of mainstream popularity from 1989 to 1991, it remained largely an underground phenomenon until the early 2000s.
Pages in category "Canadian hip-hop songs" The following 4 pages are in this category, out of 4 total. This list may not reflect recent changes. A. ABCs (song) D.
Christiane Bélanger founded the first dance company in Quebec City after the DansePartout company, founded by Chantal Bellhumeur and subsequently taken over by Luc Tremblay. The Compagnie Christiane Bélanger was established in 2001 and turned a corner to become exclusively dedicated to classical Ballet in 2005 ; it is now known as the Ballet ...
The Halluci Nation, formerly known as A Tribe Called Red (a name inspired by hip-hop group A Tribe Called Quest), [1] is a Canadian electronic music group who blend instrumental hip hop, reggae, moombahton and dubstep-influenced dance music with elements of First Nations music, particularly vocal chanting and drumming. [2]
The Red River Jig is a traditional dance and accompanying fiddle tune, culturally relevant to both the Canadian Métis and the First Nations. [1] The dance’s performers and fiddlers currently and historically includes individuals identifying as First Nations, French Canadian, or Scottish Canadians, as well as others involved in the expansive 19th century fur trade. [1]