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Key: The names of the generally accepted Olympians [11] are given in bold font.. Key: The names of groups of gods or other mythological beings are given in italic font. Key: The names of the Titans have a green background.
God of mortality and father of Prometheus, Epimetheus, Menoetius, and Atlas. Mνημοσύνη (Mnēmosýnē) Mnemosyne: Goddess of memory and remembrance, and mother of the Nine Muses. Ὠκεανός (Ōceanós) Oceanus: God of the all-encircling river Oceans around the Earth, the fount of all the Earth's fresh-water. Φοίβη (Phoíbē) Phoebe
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Besides the twelve Olympians, there were many other various cultic groupings of twelve gods throughout ancient Greece. The earliest evidence of Greek religious practice involving twelve gods (Greek: δωδεκάθεον, dōdekátheon, from δώδεκα dōdeka, "twelve", and θεοί theoi, "gods") comes no earlier than the late sixth century ...
Giovanni Boccaccio Genealogia deorum gentilium, 1532. Genealogia deorum gentilium, known in English as On the Genealogy of the Gods of the Gentiles, is a mythography or encyclopedic compilation of the tangled family relationships of the classical pantheons of Ancient Greece and Rome, written in Latin prose from 1360 onwards by the Italian author and poet Giovanni Boccaccio.
The last of the three major gods, Poseidon is the god of the ocean and earthquakes. He is often seen with a trident and is married to Amphitrite, a sea nymph. He is also Zeus and Hades' brother ...
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.
In Greek mythology, the primordial deities are the first generation of gods and goddesses.These deities represented the fundamental forces and physical foundations of the world and were generally not actively worshipped, as they, for the most part, were not given human characteristics; they were instead personifications of places or abstract concepts.