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Edgar Degas (UK: / ˈ d eɪ ɡ ɑː /, US: / d eɪ ˈ ɡ ɑː, d ə ˈ ɡ ɑː /; [1] [2] born Hilaire-Germain-Edgar De Gas, French: [ilɛːʁ ʒɛʁmɛ̃ ɛdɡaʁ də ɡa]; 19 July 1834 – 27 September 1917) was a French Impressionist artist famous for his pastel drawings and oil paintings.
The Dance Lesson (sometimes known as The Dancing Lesson) is an oil on canvas painting by the French artist Edgar Degas created around 1879. It is currently kept at the National Gallery of Art in Washington, D.C. There is at least one other work by Degas by this title, also made in about 1879, which is a pastel. [1]
Degas is the painter of dancers because of the large number of works he devoted to this subject during the period 1860–1890. [1]The influence of the Japanese prints by Hokusai and Utamaro allowed Degas, in a phenomenon linked as a whole to the impressionist movement, to free one of the last barriers of academic painting, the vision of the object.
Degas created these drawings during the 1890s and early 1900s. Degas used the name "Les danseuses russes" ("Russian [female] dancers") [ 1 ] and it was known under this name in English and French sources, despite vast ethnographic and art historical evidence for the Ukrainian origin of the women [ 2 ] [ 3 ] [ 4 ]
The Ballet Class (French: La Classe de danse) is an oil painting on canvas created between 1874 and 1876 by the French artist Edgar Degas. [1] The painting depicts a group of ballet dancers at the end of a lesson, led by ballet master Jules Perrot. [1]
The Dance Class is an 1874 oil painting on canvas by the French artist Edgar Degas. [1] It is in the collection of the Metropolitan Museum of Art, in New York. [2]The painting and its companion work in the Musée d'Orsay, Paris, are amongst the most ambitious works by Degas on the theme of ballet.
Under Edgar Degas's mentorship, Cassatt had begun to exhibit with the Impressionists between the years of 1877 and 1881. [3] Many of her works from this period featured independent women. [3] Cassatt portrayed her family's upper bourgeois lifestyle in a handful of her paintings, particularly those featured in the Impressionist Exhibition of 1881.
[4] While anti-Semitism has a long history in France, there is little evidence of Degas holding this attitude until the time of the Dreyfus affair two decades later. Pastel sketch for the oil painting. The technique of Portraits at the Stock Exchange can be more closely related to Impressionism than many of Degas's earlier works. Evidence for ...