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The root position of a chord is the voicing of a triad, seventh chord, or ninth chord in which the root of the chord is the bass note and the other chord factors are above it. . In the root position, uninverted, of a C-major triad, the bass is C — the root of the triad — with the third and the fifth stacked above it, forming the intervals of a third and a fifth above the root of C, respective
The bass note is not one of the notes in the chord. Such a bass note is an additional note, coloring the chord above it. Such a chord is also called a slash chord. Examples with bass note in red: C major chord in root position close position (C), open position (C), first inversion (E), second inversion (G), and cluster on C (C). Play ⓘ
The first inversion of a chord is the voicing of a triad, seventh chord, or ninth chord in which the third of the chord is the bass note and the root a sixth above it. [1] In the first inversion of a C-major triad, the bass is E — the third of the triad — with the fifth and the root stacked above it (the root now shifted an octave higher), forming the intervals of a minor third and a minor ...
For instance, the notation C/E bass indicates a C major triad in first inversion i.e. a C major triad with an E in the bass. Likewise the notation C/G bass indicates that a C major chord with a G in the bass (second inversion). See figured bass for alternate method of notating specific notes in the bass.
However, if the lowest note (i.e. the bass note) is not the root of the chord, then the chord is said to be an inversion: it is in root position if the lowest note is the root of the chord, it is in first inversion if the lowest note is its third, and it is in second inversion if the lowest note is its fifth. These inversions of a C major triad ...
For example, a C-major chord in first inversion (i.e., with E in the bass) would be notated as "C/E". This notation works even when a note not present in a triad is the bass; for example, F/G [5] is a way of notating a particular approach to voicing an Fadd 9 chord (G–F–A–C).
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The third inversion of a seventh chord is the voicing in which the seventh of the chord is the bass note and the root a major second above it. In the third inversion of a G-dominant seventh chord, the bass is F — the seventh of the chord — with the root, third, and fifth stacked above it (the root now shifted an octave higher), forming the intervals of a second, a fourth, and a sixth above ...