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Tragicomedy is a literary genre that blends aspects of both tragic and comic forms. Most often seen in dramatic literature, the term can describe either a tragic play which contains enough comic elements to lighten the overall mood or a serious play with a happy ending. [1]
Most Greek plays would end with lines from the Chorus, which was different to the epilogues of early modern playwrights as well as Ancient Roman plays. [ 8 ] American Author Henry James has said the epilogue is a place that distributes last "prizes, pensions, husbands, wives, babies, millions, appended paragraphs and cheerful remarks."
Come to a sticky end [1] To die in a way that is considered unpleasant Humorous: British. Also 'to meet a sticky end'. Counting worms [5] Dead Euphemistic: Croak [7] To die Slang: Crossed the Jordan Died Biblical/Revivalist The deceased has entered the Promised Land (i.e. Heaven) Curtains Death Theatrical The final curtain at a dramatic performance
The rise and fall of “cocaine godmother” Griselda Blanco reaches a historically accurate (and appropriately tragic) conclusion in the sixth and final episode of Netflix’s Griselda.
What’s different is the depiction of Lee and Allerton's profound, hallucinogenic experience while on ayahuasca and the movie’s full jump into the surreal with its epilogue.
The ending was meant to be tragic. The devil wins again on a small scale. One of the fun things about using the devil as your villain is that the devil never really goes for world domination.
This period is but a point, without extent or duration; in which it differs from the former, which comprehends everything after the plot is laid. He adds, that there are several unravellings in a piece, each interconnected. The finishing is the end of the last unravelling. [1]
Tragedy deals with affairs of the state (wars, dynastic marriages); comedy deals with love. For a work to be tragic, it need not have a tragic ending. Although Aristotle says that catharsis (purgation of emotion) should be the goal of tragedy, this is only an ideal. In conformity with the moral codes of the period, plays should not show evil ...