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Unlike Yasuda, however, he recognized that 17 syllables in English are generally longer than the 17 on of a traditional Japanese haiku. Because the normal modes of English poetry depend on accentual meter rather than on syllabics, Henderson chose to emphasize the order of events and images in the originals. [35]
A haiku in English is an English-language poem written in a form or style inspired by Japanese haiku.Like their Japanese counterpart, haiku in English are typically short poems and often reference the seasons, but the degree to which haiku in English implement specific elements of Japanese haiku, such as the arranging of 17 phonetic units (either syllables or the Japanese on) in a 5–7–5 ...
Hokku and haiku consist of 17 Japanese syllables, or on (a phonetic unit identical to the mora), in three metrical phrases of 5, 7, and 5 on respectively.A kireji is typically positioned at the end of one of these three phrases.
It is sometimes considered to be the first haiku published in English, [1] though it lacks the traditional 3-line, 17-syllable structure of haiku. The poem was reprinted in Pound's collection Lustra in 1917, and again in the 1926 anthology Personae: The Collected Poems of Ezra Pound, which compiled his early pre-Hugh Selwyn Mauberley works.
Higginson's experience in Japan led him to conclude "the 17 sound structure of Japanese haiku did not translate into 17 syllables in English" and in his translations therefrom stressed more upon "the order of images, the grammar between them (or lack thereof) and the psychological effect of the poems". [4]
Kawahigashi extended the innovations of Shiki and abandoned the 5-7-5 syllable pattern of 17 on in favor of free verse and calling his verse tanshi instead of haiku. He continued to use the seasonal word , but some of his followers even abandoned that. [2] [3] In 1917, Kawahigashi wrote:
Virgilio experimented with the haiku form, trying several innovations that other American haiku poets were exploring, including dropping the traditional 5-7-5 syllable count in favor of shorter forms. He sometimes included rhyme in his haiku along with the gritty reality of urban America. A collection of his selected haiku was published in 1985.
He notes that these often allude to Chinese tales, such as of the young woman that the butterflies took to be a flower. Among the brief 17-syllable Japanese Haiku poems about butterflies, of which he translates 22, one by the Haiku master Matsuo Bashō is said to suggest happiness in springtime: "Wake up! Wake up!—I will make thee my comrade ...