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The Vision of St Bridget: The Risen Christ, displaying his wound from Longinus, inspires the writing of Saint Bridget. Detail of initial letter miniature, dated 1530, probably made at Syon Abbey, England, a Bridgettine House. At the age of ten, Bridget had a vision of Jesus hanging upon the cross.
In the process of creating the album, Brooke Ligertwood co-wrote the songs with her husband and longtime collaborator Scott Ligertwood, Jason Ingram, as well as Steven Furtick and Brandon Lake among others. [7] The album features a band spanning the worship movement, with musicians from Hillsong, Bethel and Vineyard, along with 30 piece choir. [4]
St. Bridget's granddaughter, Lady Ingegerd Knutsdotter, was Abbess of Vadstena from 1385 to 1403. Upon her death on 14 September 1412, direct descent from St. Bridget became extinct. This opened the medieval concept of "Bridget's spiritual children", members of the order founded by her, to be her true heirs.
Among the most ancient accounts of St Brigid are two Old Irish hymns; the first by St Ultan of Ardbraccan (died c. 657), Brigit Bé Bithmaith ('Brigid ever-excellent woman') also known as "Ultan's hymn", [16] and the second is "Broccán's hymn", composed by St Broccán Clóen (died c. 650) at the request of Ultan who was his tutor. [17]
St Bride's Church is a Church of England church in Fleet Street in the City of London.Likely dedicated to Saint Bridget perhaps as early as the 6th century, the building's most recent incarnation was designed by Sir Christopher Wren in 1672, though Wren's original building was largely gutted by fire during the London Blitz in 1940 and then was faithfully reconstructed in the 1950s.
Church Music in the Nineteenth Century, in series, Studies in Church Music. New York: Oxford University Press, 1967. 166 p. Robin Sheldon, ed. In Spirit and in Truth: Exploring Directions in Music in Worship Today. London: Hodder & Stoughton, 1989. x, 198 p. ISBN 0-340-48715-1
Janet Mead (15 August 1937 – 26 January 2022) was an Australian Catholic nun who was best known for recording a pop-rock version of the Lord's Prayer.The surprise hit reached Number 3 on the Australian singles chart (Kent Music Report) in 1974 [1] and Number 4 on the Billboard Hot 100 in the same year.
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