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A coat of arms is a heraldic visual design [1] on an escutcheon (i.e., shield), surcoat, or tabard (the last two being outer garments). The coat of arms on an escutcheon forms the central element of the full heraldic achievement, which in its whole consists of a shield, supporters, a crest, and a motto.
Women's coats of arms were those of their fathers or husbands and, rarely, personal coats of arms. [Pa 8] For example, Mathilde de Courtenay used a shield with a lion passant on a field strewn with billets, the arms of the County of Nevers of which she was heiress, while the Courtenay arms are gold with three torteaux (red roundels), those of ...
The following table displays the official flag, seal, and coat of arms of the 50 states, of the federal district, the 5 inhabited territories, and the federal government of the United States of America.
Pope Boniface VIII: Popes of the late medieval and early modern period used their family coats of arms (the earliest exception being Nicholas V, r. 1447–1455). The coat of arms of Boniface VIII (r. 1294–1303), an early form of the Caetani coat of arms, happens to be the first coat of arms used by a pope preserved in a contemporary depiction ...
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The word can be used in two related senses. In the first sense, an escutcheon is the shield upon which a coat of arms is displayed. In the second sense, an escutcheon can itself be a charge within a coat of arms. Escutcheon shapes are derived from actual shields that were used by knights in combat, and thus are varied and developed by region ...
The compartment of the coat of arms of Michigan is similar. [4] A rare instance in which the supporters stand on the motto scroll is in the arms of New Jersey. [5] The coat of arms of the Netherlands, likewise, features the two lion supporters standing on the motto scroll. Usually when arms are augmented by supporters, a compartment will be ...
Attributed arms are Western European coats of arms given retrospectively to persons real or fictitious who died before the start of the age of heraldry in the latter half of the 12th century. Once coats of arms were the established fashion of the ruling class, society expected a king to be armigerous . [ 1 ]