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Les préludes ("Preludes" or "The Beginnings"), S.97, is the third of Franz Liszt's thirteen symphonic poems. The music was composed between 1845 and 1854, and began as an overture to Liszt's choral cycle Les quatre élémens (The Four Elements), then revised as a stand-alone concert overture, with a new title referring to a poem by Alphonse de ...
Harmonies poétiques et religieuses (Poetic and Religious Harmonies), S.173, is a cycle of piano pieces written by Franz Liszt at Woronińce (Voronivtsi, the Polish-Ukrainian country estate of Liszt's mistress Princess Carolyne von Sayn-Wittgenstein) in 1847, and published in 1853.
Goethe and Schiller in front of the Deutsches Nationaltheater and Staatskapelle Weimar, where many of Liszt's symphonic poems premiered. [4]According to cultural historian Hannu Salmi, classical music began to gain public prominence in Western Europe in the latter 18th century through the establishment of concerts by musical societies in cities such as Leipzig and the subsequent press coverage ...
Four of Tausig's transcriptions of Liszt symphonic poems: no. 3 Les Preludes, and nos. 2, 4, and 10 all previously unpublished. Orazio Sciortino made an album of Wagner transcriptions as well in 2013: the 3 Tristan, 2 Valkyre, and the 2 Meistersinger arrangements.
arr. for mch orch by Liszt and August Conradi as S.80b/4 80bis M 20 Les quatre élémens: mch, piano vocal score of S.80 1844–48 Choral, secular vocal score of S.80/1 80bis/1 L 2/1 La terre: mch orch 1844–48 Choral, secular vocal score of S.80 80bis/2 M 20/2 Les aquilons: mch orch 1844–48 Choral, secular vocal score of S.80 80bis/3 M 20/3 ...
Liszt, Symphonic Poems; the symphonic orchestra of Polskie Radio, directed by Michael Hálasz label Naxos 8.550487 recorded 2–6 April 1991. Liszt, A Faust Symphony, A Dante Symphony, Les Preludes, Prometheus, (2CD) London Philharmonic Orchestra directed by Sir Georg Solti label Decca, 466751 recorded 13 June 1977
Les quatre élémens (The Four Elements), S.80, is a cycle of four choral pieces by Franz Liszt, to words by Joseph Autran. The cycle was composed in 1844–48, originally with piano accompaniment, later orchestrated.
Liszt's work also foreshadowed the impressionism that would characterize the work of Debussy and Ravel, as shown in Les Jeux d'Eaux à la Villa d'Este (The Fountains of the Villa d'Este) from the third volume of Années de Pèlerinage. Another precursor of impressionism is Nuages gris, which won the admiration of both Debussy and Stravinsky.