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Lacquerware is a longstanding tradition in Japan [6] [7] and, at some point, kintsugi may have been combined with maki-e as a replacement for other ceramic repair techniques. . While the process is associated with Japanese craftsmen, the technique was also applied to ceramic pieces of other origins including China, Vietnam, and Kor
Derveni krater, bronze, 350 BC, height: 90.5 cm (35 1 ⁄ 2 in.), Inv. B1, Archaeological Museum of Thessaloniki, after cleaning and conservation. Conservation and restoration of metals is the activity devoted to the protection and preservation of historical (religious, artistic, technical and ethnographic) and archaeological objects made partly or entirely of metal.
This ceramic ring is housed in a blue board box with an acrylic plastic lid. The ring is laid upon a layer of carved ethafoam to prevent it from shifting during handling. Ceramics are very delicate in nature and damage can occur even when they are stored away.
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Typically Roman men wore less jewelry than their female counterparts. Finger rings and fibulae were the most common forms of jewelry worn by men, but they would also sometimes wear pendants. Roman men, unlike Greek men, wore multiple rings at once. [8] Golden rings were reserved for men of senatorial rank. [10]
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