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One of the earliest references to qualities later associated with the canonical Four Great Beauties appears in the Zhuangzi.In one chapter, the women Mao Qiang and Lady Li are described as "great beauties" who "when fish see them they dart into the depths, when birds see them they soar into the skies, when deer see them they bolt away without looking back".
The importance of feminine beauty in China has been deeply ingrained into the culture: historically, a woman's livelihood was often determined by her ability to find an eligible husband, a feat aided by fitting into the cultural ideals of beauty. [2] Black hair that is long, thick and shiny is seen as particularly beautiful among Chinese women.
Moreover, women were encouraged to dress like men and go to work like men did, given that Mao called for a "gender erasure" in order to make "Chinese women in new China." [5] Similar to "Iron Girls," "Strong Women" images were popularized through mass media, such as cartoons and local newspapers. Their appearance was defined by masculinized ...
Yushi Li (born 1991), Chinese-born, London-based photographer whose work is concerned with the male gaze and the female gaze; Yijun Liao (active since 2008), also known as Pixy Liao, Chinese fine art photographer based in New York; Liu Xia (born 1961), wife of the Nobel Prize winner Liu Xiaobo, poet, painter, photographer
King Goujian of Yue was once imprisoned by King Fuchai of Wu following a military defeat. As a result, the state of Yue became a tributary state to the State of Wu.In a clandestine effort to plot his revenge, King Goujian's minister Wen Zhong suggested training exceptionally beautiful women and offering them to King Fuchai as a tribute, well aware of Fuchai's weakness for beautiful women.
In Chinese, the phrase "lucent irises, lustrous teeth" (Chinese: 明 眸 皓 齒) is used to describe a beautiful woman with "clear eyes" and "well-aligned, white teeth", [219] and the phrase "moth-feeler eyebrows" (Chinese: 蛾眉) is used to denote a beautiful woman by describing her eyebrows as being thin and arched like moth antennae. [219]
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A 17th-century portrait of Chen Yuanyuan. The Eight Beauties of Qinhuai (Chinese: 秦淮八艳; pinyin: Qínhuái Bāyàn), also called the Eight Beauties of Jinling (Chinese: 金陵八艳), were eight famous Yiji or Geji during the Ming-Qing transition period who resided along the Qinhuai River in Nankin (now Nanjing, Jiangsu Province, China).