Ads
related to: japanese woodblock print reproductions value sheet patterns
Search results
Results From The WOW.Com Content Network
Bokashi (Japanese: ぼかし) is a technique used in Japanese woodblock printmaking. It achieves a variation in lightness and darkness ( value ) of a single color or multiple colors by hand applying a gradation of ink to a moistened wooden printing block, rather than inking the block uniformly.
The Great Wave off Kanagawa (神奈川沖浪裏, Kanagawa-oki nami-ura) print by Hokusai Metropolitan Museum of Art. Woodblock printing in Japan (木版画, mokuhanga) is a technique best known for its use in the ukiyo-e [1] artistic genre of single sheets, but it was also used for printing books in the same period.
The next development known as whirlwind binding (xuanfeng zhuang 旋風裝) was to secure the first and last leaves to a single large sheet, so that the book could be opened like an accordion. [16] Around the year 1000, butterfly binding was developed. Woodblock prints allowed two mirror images to be easily replicated on a single sheet.
Bokashi (ぼかし); technique of applying a gradation of ink to a moistened block to vary lightness and darkness (value) of a single colour; Censor seal; from 1790 until 1876 all woodblock prints had to be examined by official censors, and marked with their seals; Chūban (中判); a print size about 7 by 10 inches (18 cm × 25 cm)
Hiroshige also used Prussian blue extensively in his landscape prints. Other prominent Japanese artists to use it included Keisai Eisen , Utagawa Kunisada and Utagawa Sadahide . The theory that aizuri-e production was prompted by the 1842 sumptuary laws known as the Tenpō Reforms is no longer widely accepted.
Lyon, Mike (2013), Ryusai Shigeharu, Lyon Collection of Japanese Woodblock Prints; Newland, Amy Reigle (2005). The Hotei Encyclopedia of Japanese Woodblock Prints, vol. 2. Amsterdam: Hotei. ISBN 9074822657. Oxford Reference (2014), Kunihiro, Oxford University Press, ISBN 978-0-19-992301-4
Ukiyo-e [a] (浮世絵) is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica.
Kanae Yamamoto's "Fisherman" (1904). Sōsaku-hanga (創作版画, "creative prints") was an art movement of woodblock printing which was conceived in early 20th-century Japan. . It stressed the artist as the sole creator motivated by a desire for self-expression, and advocated principles of art that is "self-drawn" (自画 jiga), "self-carved" (自刻 jikoku) and "self-printed" (自摺 jizur