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Designed for electric guitar and bass and operated by the player's foot, distortion pedals are most frequently placed in the signal chain between the guitar and amplifier. The use of distortion pedals was popularized by Keith Richard's use of a Maestro FZ-1 Fuzz-Tone pedal on the 1965 Rolling Stones song "(I Can't Get No) Satisfaction".
The Klon Centaur is an overdrive pedal made by the American engineer Bill Finnegan between 1994 and 2008. Finnegan aimed to create a pedal that would recreate the harmonically rich distortion of a guitar amplifier at a high volume. Finnegan struggled to meet demand, and used units sold for inflated prices.
Notable examples of distortion and overdrive pedals include the Boss DS-1 Distortion, Ibanez Tube Screamer, Marshall ShredMaster, MXR Distortion +, and Pro Co RAT. A fuzz pedal, or fuzzbox, is a type of overdrive effects unit that clips a signal until it is nearly a squarewave , resulting in a heavily distorted or fuzzy sound.
There was a footpedal (M-181) that enabled the player to switch the different effects on and off, as well as changing the order of the distortion and equalizer effects, a master bypass as well as an effects loop. Since 2006, the "M-181" product number has been re-appropriated by Jim Dunlop for the MXR Bass Blowtorch Overdrive pedal.
Some effect pedals used with electromechanical keyboards such as the Fender Rhodes electric piano or digital keyboards respond to loudness and so, indirectly, to key velocity. Examples include overdrive pedals, which produce a clean sound for softer notes, and a distortion effect for louder notes—and fixed wah-wah pedals that filter the audio ...
Octavia and Vox Wah. The Octavia was an effects pedal designed for Jimi Hendrix by his sound technician, Roger Mayer. [1] It reproduces the input signal from a guitar one octave higher in pitch, and mixes it with the original and added distortion fuzz.
Jeorge Tripps launched Way Huge in 1992. [3] In late 1999 the company closed its doors when Tripps went to work for Line 6.In 2008, Tripps and the company moved to Dunlop Manufacturing and resurrected the Way Huge line, including the Swollen Pickle (a fuzz), Pork Loin (an overdrive), Fat Sandwich (a distortion), [3] and Green Rhino (another overdrive).
The "fuzz" concept was accidentally created in Nashville in 1961 by a malfunction in bassist Grady Martin's amplifier during a solo on a track. [2]The Wah-wah pedal started out as a knob that was created by a British engineer and guitarist Dick Denney in hopes that the guitar would be able to imitate certain aspects of the human voice.