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Chinoiserie entered European art and decoration in the mid-to-late 17th century; the work of Athanasius Kircher influenced the study of Orientalism.The popularity of chinoiserie peaked around the middle of the 18th century when it was associated with the Rococo style and with works by François Boucher, Thomas Chippendale, and Jean-Baptist Pillement.
Chinoiserie in fashion refers to the any use of chinoiserie elements in fashion, especially in American and European fashion. Since the 17th century, Chinese arts and aesthetic were sources of inspiration to European artists, creators, [1]: 52 and fashion designers when goods from oriental countries were widely seen for the first time in Western Europe.
The Willow pattern is a distinctive and elaborate chinoiserie pattern used on ceramic tableware. It became popular at the end of the 18th century in England when, in its standard form, it was developed by English ceramic artists combining and adapting motifs inspired by fashionable hand-painted blue-and-white wares imported from Qing dynasty China.
Chinoiserie" (19th century). Four designs framed by plant forms in raspberry on an off-white percale. Percale [1] is a closely woven plain-weave fabric often used for bed covers. Percale has a thread count of about 180 or higher and is noticeably tighter than twill or sateen. It has medium weight, is firm and smooth with no gloss, and washes ...
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The form of the bed and its covering evolved under Louis XV. Early beds had four posts and a canopy suspended from a rectangular form on top. Under Louis XV, the Lit à la polonaise appeared, with a canopy suspended from a crownlike structure; and the Lit à la Duchesse, where the canopy was supported only from one end. The bed was usually ...