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The second movement of the sonata is an adagio in F minor. It is the only piano sonata by Mozart with a slow movement in a minor key. While not marked as such, the movement is a siciliana, [2] which Mozart would later revisit in the slow movement of his A major piano concerto (K.488). The mood of this movement is mournful and tragic, with the ...
This is a list of the sonatas of Wolfgang Amadeus Mozart. For the complete list of compositions, ... Piano Sonata No. 2 in F major, K. 280 (Munich, Autumn 1774)
Wolfgang Amadeus Mozart (1756–1791) was a prolific composer who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets.
The Sonata for Two Pianos in D major, K. 448 (375a), is a work composed by Wolfgang Amadeus Mozart in 1781, when he was 25. It is written in sonata-allegro form , with three movements . The sonata was composed for a performance he would give with fellow pianist Josepha Auernhammer . [ 1 ]
Wolfgang Amadeus Mozart [a] [b] (27 January 1756 – 5 December 1791) was a prolific and influential composer of the Classical period.Despite his short life, his rapid pace of composition and proficiency from an early age resulted in more than 800 works representing virtually every Western classical genre of his time.
The sonata was published by Artaria in 1784, alongside Nos. 10 and 12 (K. 330 and K. 332). [1] The third movement of this sonata, the "Rondo alla Turca", or "Turkish March", is often heard on its own and regarded as one of Mozart's best-known piano pieces. [2] [3]
Piano Sonata No. 14 in C minor, K. 457 (Vienna, October 14, 1784) Piano Sonata No. 15 in F major, K. 533/494 (Vienna, January 3, 1788) Piano Sonata No. 16 in C major, K. 545 (so-called facile or semplice sonata; Vienna, June 26, 1788) Piano Sonata No. 17 in B ♭ major, K. 570 (Vienna, February, 1789) Piano Sonata No. 18 in D major, K. 576 ...
The Piano Sonata No. 2 was written during a time where the sonata lost its overpowering dominance. While the sonatas of Beethoven and Mozart comprised a considerable portion of their compositional output, this is not true of the next generation of composers: Franz Liszt only wrote one sonata among his dozens of instrumental compositions, Robert Schumann seven (eight if including the Fantasie ...