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These positions are responsible for the fabrication of a production prior to the initial performance. Although there will be significant involvement in initial development of a production, some of these positions may not be involved once performances before an audience begin. Actor; Audio Engineer; Backstage; Carpenter and master carpenter ...
Theatrical production management is a sub-division of stagecraft.The production management team (consisting of a production manager and any number of assistants) is responsible for realizing the visions of the producer and the director or choreographer within constraints of technical possibility.
Corporate titles or business titles are given to company and organization officials to show what job function, and seniority, a person has within an organisation. [1] The most senior roles, marked by signing authority, are often referred to as "C-level", "C-suite" or "CxO" positions because many of them start with the word "chief". [2]
In the cinema of the United States, a unit production manager (UPM) is the Directors Guild of America–approved title for the top below-the-line staff position, responsible for the administration of a feature film or television production. Non-DGA productions might call it the production manager or production supervisor.
Production companies are often either owned or under contract with a media conglomerate, film studio, record label, video game publisher, or entertainment company, due to the concentration of media ownership, who act as the production company's partner or parent company. This has become known as the "studio system".
According to Producers Guild of America (PGA) guidelines, the line producer is the individual who reports directly to the individual(s) receiving "Produced by" credit on the theatrical motion picture and is the single individual who has the primary responsibility for the logistics of the production, from pre-production through completion of production; all department heads report to the line ...