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Music varies widely across Laos, with the lam saravane style being most popular, while the city of Luang Prabang is known for a slow form called khaplam wai. An extremely popular form of Lao lam that developed in Thailand is called mor lam sing , and is faster and electrified.
The Khene (Lao: ແຄນ) is the instrument most identified with Laotian music.A national proverb says that "a person living under a stilted house, eating sticky rice, listening to any music related to Lam (Lao: ລຳ) or Morlam, and playing the Khene is likely to be Lao or associated with Lao people."
The khene is the national instrument of Laos. [3] The khene music is an integral part of Lao life that promotes family and social cohesion [4] and it was inscribed in 2017 on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity. [5]
Music of Laos; L. Lao pop; Lam luang; Lam ploen; Lam saravane; Lao music; M. Mor lam; P. Pheng Xat Lao; Pinphat This page was last edited on 22 April 2024, at 10:08 ...
Lam Lao (ລຳລາວ) or morlam (ໝໍລຳ [mɔ̌ː lám]) is the general descriptor for Lao folk music, which at its most basic level consists of the singer/story-teller and the khene (ແຄນ [kʰɛ́ːn]). In Isan, both terms are interchangeable, but in Laos, morlam only refers to the singer.
In Laos, the traditional folk music is referred to as ລຳ, lam /lám/, which refers to both the verb and noun 'dance', and is in general use in the central and southern areas of the country. In northern Laos, the regional folk music styles are referred to as ຂັບ, khap /kʰáp/, and signifies 'to sing' or a
The national music of Laos is the lam, where a singer (songs by expert singers are mor lam) uses improvised poetry set to quick tempo music around themes of love, difficulty, and poverty using turns of phrases and subtle humor. Lam is highly regional, and many listeners can determine the setting and themes in the first few lines.
"Pheng Xat Lao" (Lao: ເພງຊາດລາວ [pʰeŋ saːt laːw], "Song of the Lao People") is the national anthem of the Lao People's Democratic Republic. It was written and composed in 1941 by Thongdy Sounthonevichit.