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"How It Feels to Be Colored Me" (1928) is an essay by Zora Neale Hurston published in The World Tomorrow, described as a "white journal sympathetic to Harlem Renaissance writers". [ 1 ] [ 2 ] Coming from an all-black community in Eatonville , Florida , she lived comfortably due to her father holding high titles, John Hurston was a local Baptist ...
Faedra Chatard Carpenter offers an insightful analysis of "Color Struck" in the article, "Addressing the ‘Complex’-ities of Skin Color: Intra-Racism in the Plays of Hurston, Kennedy, and Orlandersmith. She writes: The topical significance of Color Struck is in how it challenges assumptions associated with color-consciousness.
As an adult, Hurston often used Eatonville as a setting in her stories—it was a place where African Americans could live as they desired, independent of white society. Hurston grew up in Eatonville and described the experience in her 1928 essay, "How It Feels To Be Colored Me". Eatonville now holds an annual "Zora! Festival" in her honor. [11]
On Dec. 7 at North Henderson High School, 11th grader Citlally Diaz, 17, was honored for winning one of just four $3,000 scholarship grand prize awards out of thousands of entries across the country.
Throughout her life, Bonner wrote many short stories, essays and plays, and was a frequent contributor to The Crisis (the magazine of the National Association for the Advancement of Colored People) and Opportunity (official publication of the National Urban League) between 1925 and 1940. [5]
The results come as Democrats undergo a post-election reckoning following Vice President Kamala Harris' loss to President-elect Donald Trump -- a period of soul-searching that has put a noticeable ...
You can add yours by emailing a picture of your colored page to ssteele@kcstar.com, or direct message it to @thekansascitystar on Instagram. Emily Burgard wrote The Star, “My son Cole, age 6 ...
Glenn Ligon (born 1960, pronounced Lie-gōne) is an American conceptual artist whose work explores race, language, desire, sexuality, and identity. [1] Based in New York City, Ligon's work often draws on 20th century literature and speech of 20th century cultural figures such as James Baldwin, Zora Neale Hurston, Gertrude Stein, Jean Genet, and Richard Pryor.