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A sestain is a six-line poem or repetitive unit of a poem of this format , comparable to quatrain (Ruba'i in Persian and Arabic) which is a four-line poem or a unit of a poem. There are many types of sestain with different rhyme schemes , for example AABBCC, ABABCC, AABCCB or AAABAB. [ 1 ]
It is most commonly found in English poetry produced in the 16th and 17th centuries. Fourteeners often appear as rhymed couplets, in which case they may be seen as ballad stanza or common metre hymn quatrains in two rather than four lines. The term may also be used as a synonym for quatorzain, a 14-line poem, such as a sonnet.
A quatrain is a type of stanza, or a complete poem, consisting of four lines. [1]Existing in a variety of forms, the quatrain appears in poems from the poetic traditions of various ancient civilizations including Persia, Ancient India, Ancient Greece, Ancient Rome, and China, and continues into the 21st century, [1] where it is seen in works published in many languages.
Robert Frost made use of Rubaiyat in chain rhyme form in his poem, "Stopping by Woods on a Snowy Evening." Chain rhyme also known as “chain verse or interlocking rhyme" is a type of poetic technique where the poet uses the last syllable of a line and repeats it as the first syllable of the line following.
In poetry, a hendecasyllable (sometimes hendecasyllabic) is a line of eleven syllables.The term may refer to several different poetic meters, the older of which are quantitative and used chiefly in classical (Ancient Greek and Latin) poetry, and the newer of which are syllabic or accentual-syllabic and used in medieval and modern poetry.
The poem contained 1216 lines of verse in 304 stanzas, each with a period at the end to show a "completeness" in each stanza. [9] While the form had achieved fame with other poets of Dryden's era and was considered "fashionable" by figures of the literary world, [2] Dryden's poem quickly became known as the standard-bearer of the genre. [9]
The fourth quatrain tells of the birds now flying in and out of the barn through its broken windows, using it as shelter. Lentricchia, F., Robert Frost: Modern Poetics and the Landscapes of Self, 1975, Duke University Press The phoebes’ soft comings and goings contrast starkly with the ruckus evoked in the third stanza. The narrator likens ...
She created the "quatern" form of poetry, a variation of the Kyrielle. This is a sixteen-line poem composed of four quatrain stanzas, where the first line of stanza 1 is repeated in each quatrain: the second line of stanza 2, the third line of stanza 3, and the fourth line of stanza 4. [7]