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The Plains Village period or the Plains Village tradition is an archaeological period on the Great Plains from North Dakota down to Texas, spanning approximately 900/950 to 1780/1850 CE. On the west and east, Plains villagers were bounded by the geography and landscapes of the Rocky Mountains and the Eastern Woodlands , respectively.
Indigenous cultures from the from approximately 900/1000 CE to 1780/1850 CE on the Great Plains This category is for articles relating to the Plains Village period, an archaeological designation following the Plains Woodland period.
Dezső Magyar: Gábor Bódy, Tamás Szentjóby, György Cserhalmi: Banned after release Fényes szelek: Miklós Jancsó: Hosszú futásodra mindig számíthatunk: Gyula Gazdag: Isten hozta, őrnagy úr: Zoltán Fábri: Zoltán Latinovits, Imre Sinkovits: Based on the novel by István Örkény, entered into the 7th Moscow International Film Festival
These village-dwelling, urban, Southern Plains farmers are sometimes called Coalesced Villagers. Meanwhile, others shifted their subsistence patterns, to rely less on agriculture and more upon bison-hunting, [18] Several theories have been advanced to explain why many Southern Plains Villagers opted to relay more heavily on bison-hunting.
The Steed-Kisker culture is a cultural phase (name that archaeologists give to a group of culturally similar peoples) of the larger Central Plains Village tradition of the Plains Village period. This term applies to the precontact Indigenous peoples of the Great Plains region of what is now United States.
The Plains Woodland period or Plains Woodland tradition refers to an archaeological period and group of cultures that existed across the Great Plains of North America approximately 2500–200 Before Present (BP). It was preceded by the Plains Archaic period and succeeded by the Plains Village period.
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The Village Rogue (Hungarian: A falu rossza) is a 1938 Hungarian drama film directed by Béla Pásztor and starring Margit Dajka, Artúr Somlay and Zsóka Ölvedy. It was based on an 1875 play by Ede Tóth , previously made into a 1916 silent film of the same title .