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Orpheus : The Myth of the Poet. Baltimore: Johns Hopkins University Press. ISBN 0-8018-3708-1. Smith, William; Dictionary of Greek and Roman Biography and Mythology, London (1873). "Orpheus" West, Martin L., The Orphic Poems, 1983. There is a sub-thesis in this work that early Greek religion was heavily influenced by Central Asian shamanistic ...
In Greek mythology, the legend of Orpheus and Eurydice (Greek: Ὀρφεύς, Εὐρυδίκη, romanized: Orpheus, Eurydikē) concerns the fateful love of Orpheus of Thrace for the beautiful Eurydice. Orpheus was the son of Oeagrus and the muse Calliope.
According to Hesiod, Orthrus was the father of the Sphinx and the Nemean Lion, though whom Hesiod meant as the mother, whether it is Orthrus' own mother Echidna, the Chimera, or Ceto, is unclear.
The fullest surviving and most famous ancient work about transformation in Greek myth is Roman poet Ovid's epic the Metamorphoses. Throughout history, the Metamorphoses has been used not only as a compendium of information on Ancient Greek and Roman lore, but also as a vehicle for allegorical exposition, exegesis, commentaries and adaptations ...
English: Greek mythology ; Parentage of Orpheus and Linus, Genealogical chart. Data from Parada, Carlos (1993) Genealogical Guide to Greek Mythology (Studies in Mediterranean Archaeology, Vol 107) (Hardcover), Coronet Books ISBN: 978-9170810626.
"Orpheus also invented the mysteries of Dionysus, and having been torn in pieces by the Maenads he is buried in Pieria." The Greek Settlements in Thrace Until the Macedonian Conquest by Benjamin H. Isaac; Myth and the Polis by Dora Carlisky Pozzi,John Moore; Caves and the Ancient Greek Mind by Yulia Ustinova
Orpheus's life. Aornum (Ancient Greek: Ἄορνον) was an oracle in Ancient Greece, located in Thesprotia in a cave called Charonium (Χαρώνειον ἄντρον or χάσμα) which gave forth poisonous vapours. [1] The name of the cave, "Charon's Cave", reflects the belief that it was an entrance for Hades, the Greek underworld. [2]
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.